Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 16
... touch with them too . Here the platform stage helped him , as the stage of scenic illusion now defeats his purpose . But it is not altogether a question of “ realism ” and the supposed obligation this lays upon a real man in a real ...
... touch with them too . Here the platform stage helped him , as the stage of scenic illusion now defeats his purpose . But it is not altogether a question of “ realism ” and the supposed obligation this lays upon a real man in a real ...
Seite 151
... touch , a touch , I do confess . Then , while the two recover breath , the King's soft voice is heard : Our son shall win . 28 Forewarned as they have been , Shakespeare's audience would be fully alive to what the ring and the gesture ...
... touch , a touch , I do confess . Then , while the two recover breath , the King's soft voice is heard : Our son shall win . 28 Forewarned as they have been , Shakespeare's audience would be fully alive to what the ring and the gesture ...
Seite 454
... Touch you the sourest points with sweetest terms , Nor curstness grow to the matter . and thereafter is so ready - yet never too ready - with cooing inter- jections , all ignored . Difficulties resolved , he does mildly assert himself ...
... Touch you the sourest points with sweetest terms , Nor curstness grow to the matter . and thereafter is so ready - yet never too ready - with cooing inter- jections , all ignored . Difficulties resolved , he does mildly assert himself ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words