A Century of RevolutionChapman and Hall, limited, 1890 - 239 Seiten |
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Seite xix
... Zola's Nana may be regarded as a type of Natural- ism xix PAGE 135 136 M. Zola's apology for Naturalism as the manifestation in art of the Revolutionary idea . 138 M. Zola contends that the object of Naturalism is a return to nature ...
... Zola's Nana may be regarded as a type of Natural- ism xix PAGE 135 136 M. Zola's apology for Naturalism as the manifestation in art of the Revolutionary idea . 138 M. Zola contends that the object of Naturalism is a return to nature ...
Seite 45
... Zola's La Terre , the vilest and the most " real- istic " of that master's productions . He will not be amused ; the book is deadly dull . But he will * La Démocratie , p . 209 , 2nd edition . 99 find a gallery of photographs , a ...
... Zola's La Terre , the vilest and the most " real- istic " of that master's productions . He will not be amused ; the book is deadly dull . But he will * La Démocratie , p . 209 , 2nd edition . 99 find a gallery of photographs , a ...
Seite 137
... Zola's fiction , was a fitting accompaniment to it . Of course nothing savouring of imagination was uttered by any of the dramatis persona . " Reality " was the great law which the playwright proposed to follow , and it is not exactly ...
... Zola's fiction , was a fitting accompaniment to it . Of course nothing savouring of imagination was uttered by any of the dramatis persona . " Reality " was the great law which the playwright proposed to follow , and it is not exactly ...
Seite 138
... Zola , who , I believe , regards Nana as his master- piece , has expressed , in most emphatic language , his unbounded admiration of his friend's dramatic version . " Ce rôle de Nana , " he writes , " est superbe , car il tient tout le ...
... Zola , who , I believe , regards Nana as his master- piece , has expressed , in most emphatic language , his unbounded admiration of his friend's dramatic version . " Ce rôle de Nana , " he writes , " est superbe , car il tient tout le ...
Seite 142
... Zola was think- ing of the nine tableaux in Nana which I have described ) " on ne peut nier la possibilité d'évoquer à la scène la réalité des milieux . " So too the language must be " real " -the language of the street -un morceau de ...
... Zola was think- ing of the nine tableaux in Nana which I have described ) " on ne peut nier la possibilité d'évoquer à la scène la réalité des milieux . " So too the language must be " real " -the language of the street -un morceau de ...
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