London, on the sea-coast of Bohemia, or away on the mountains of Beulah. And by an odd and luminous accident, if there is any page of literature calculated to awake the envy of M. Zola, it must be that Troilus and Cressida which Shakespeare, in a spasm... The Novels and Tales of Robert Louis Stevenson - Seite 270von Robert Louis Stevenson, Lloyd Osbourne, Fanny Van de Grift Stevenson, William Ernest Henley - 1905Vollansicht - Über dieses Buch
| Robert Louis Stevenson - 1898 - 700 Seiten
...Moliere, wielding his artificial medium, has told to us and to all time of Alceste or Orgon, Doiine or Chrysale. The historical novel is forgotten. Yet...none the less veracious ; but if you be weak, you run 268 the risk of being tedious and inexpressive; and if you be very strong and honest, you may chance... | |
| Robert Louis Stevenson - 1915 - 364 Seiten
...is both realistic and ideal; and the realism about which we quarrel is a matter purely_of_externals. It is no especial cultus of nature and veracity, but...as you please, you will be none the less veracious; '-mt if you be weak, you run the risk of being . edious and inexpressive ; and if you be very strong... | |
| Walter F. Greiner, Fritz Kemmler - 1997 - 282 Seiten
..."Troilus and Cressida" which Shakespeare, in a spasm of unmanly anger with the world, grafted on the 40 heroic story of the siege of Troy. This question of...you be weak, you run the risk of being tedious and inex45 pressive; and if you be very strong and honest, you may chance upon a masterpiece. [. . .] To... | |
| Oliver S. Buckton - 2007 - 361 Seiten
...decadent aesthetic form: in "A Note on Realism," he writes, "This question of realism, let it be then clearly understood, regards not in the least degree...but only the technical method, of a work of art." By focusing on style and method, Stevenson shifts the ground of the debate about reo 1 o alism from... | |
| Andrew Nash - 2007 - 270 Seiten
...interrogation. To Henry James, realism had "myriad forms" (James [1884] 1985: 201) and to Stevenson it regarded "not in the least degree the fundamental truth, but only the technical method of a work of art" (Stevenson [1883] 1950: 378). Barrie's work was judged by most of his contemporaries to have fulfilled... | |
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