Hours in a LibrarySmith, Elder & Company, 1874 - 392 Seiten |
Im Buch
Ergebnisse 1-5 von 33
Seite 5
... producing this illusion are sufficiently plain . Of all the fictions which he succeeded in palming off for truths none is more instructive than that admirable ghost , Mrs. Veal . It is , as it were , a hand - specimen , in which we may ...
... producing this illusion are sufficiently plain . Of all the fictions which he succeeded in palming off for truths none is more instructive than that admirable ghost , Mrs. Veal . It is , as it were , a hand - specimen , in which we may ...
Seite 12
... producing conviction . We recognise the fictitious cha- racter of an ordinary novel , because it has a certain attempt at artistic unity , or because the facts are such as could obviously not be known to , or would not be told by , a ...
... producing conviction . We recognise the fictitious cha- racter of an ordinary novel , because it has a certain attempt at artistic unity , or because the facts are such as could obviously not be known to , or would not be told by , a ...
Seite 13
... dish of pork , Richardson and De Foe had to produce fiction at the expense of a close approach to false- hood . The division between the art of lying and the art of fiction was not distinctly visible to either ; DE FOE'S NOVELS . 13.
... dish of pork , Richardson and De Foe had to produce fiction at the expense of a close approach to false- hood . The division between the art of lying and the art of fiction was not distinctly visible to either ; DE FOE'S NOVELS . 13.
Seite 14
... produce absolute illusion , where they should have been content with portraiture . And yet the defect is balanced by the vigour naturally connected with an unflinching realism . That this power rested , in De Foe's case , upon some ...
... produce absolute illusion , where they should have been content with portraiture . And yet the defect is balanced by the vigour naturally connected with an unflinching realism . That this power rested , in De Foe's case , upon some ...
Seite 24
... produces upon his morals , De Foe has either no notion , or is , at least , totally incapable of giving us a representa- tion . All which goes by the name of psychological analysis in modern fiction is totally alien to his art . He ...
... produces upon his morals , De Foe has either no notion , or is , at least , totally incapable of giving us a representa- tion . All which goes by the name of psychological analysis in modern fiction is totally alien to his art . He ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
admirable admit amongst amusing argument artistic Balzac Bargrave become believe better Bolingbroke Carlyle character charm Clarissa commonplace confess critic delicate described devil doctrine Dunciad elaborate Elwin English epigram Eugénie Grandet example expressed fact fancy fault feel feminine fiction Foe's friends genius genuine give Goriot Hawthorne hero human imagination interest Ivanhoe John Bull kind ladies language less literary living Lovelace Melrose Abbey merits mind Miss Byron modern Moll Flanders moral mysterious narrative nature never novelist novels old Goriot opium pantheistic passage passion peculiar perhaps poem poet poetical poetry poor Pope Pope's prosaic prose Puritan Quincey Quincey's quote racter readers reason recognise remark Richardson Robinson Crusoe romance Roxana says Scott seems sense sentiment Shakspeare Sir Charles Grandison soul speak story strange style sympathy taste tells things thought tion true truth uncon verse villains virtue virtuous whole words writers
Beliebte Passagen
Seite 48 - I will say of the LORD, He is my refuge and my fortress : My God; in him will I trust. Surely he shall deliver thee from the snare of the fowler, And from the noisome pestilence.
Seite 199 - Lives through all life, extends through all extent. Spreads undivided, operates unspent : Breathes in our soul, informs our mortal part. As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns. As the rapt seraph that adores and burns: To him no high, no low, no great, no small ; He fills. he bounds, connects, and equals all.
Seite 168 - If I am right, Thy grace impart, Still in the right to stay ; If I am wrong, oh, teach my heart To find that better way.
Seite 183 - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains: When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god: Then shall man's pride and dulness comprehend His actions', passions', being's, use and end; Why doing, suffering, checked, impelled; and why This hour a slave, the next a deity.
Seite 186 - Hope springs eternal in the human breast; Man never Is, but always To be blest; The soul, uneasy and confined from home, Rests and expatiates in a life to come.
Seite 287 - The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
Seite 199 - Great in the earth, as in the ethereal frame; Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees; Lives through all life, extends through all extent; Spreads undivided, operates unspent!
Seite 175 - True wit is nature to advantage dressed, — What oft was thought, but ne'er so well expressed; Something whose truth convinced at sight we find, That gives us back the image of our mind.
Seite 146 - And something previous e'en to taste— 'tis sense; Good sense, which only is the gift of Heaven, And though no science, fairly worth the seven; A light which in yourself you must perceive ; Jones and Le Notre have it not to give.
Seite 153 - Chiefs out of war, and statesmen out of place: There St. John mingles with my friendly bowl The feast of reason and the flow of soul: And he, whose lightning pierced the' Iberian lines, Now forms my quincunx, and now ranks my vines; Or tames the genius of the stubborn plain, Almost as quickly as he conquer'd Spain.