Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1956 - 498 Seiten |
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Seite 91
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage - play , might bring the fact home to us . It is to - day the most popular of ...
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage - play , might bring the fact home to us . It is to - day the most popular of ...
Seite 469
... play , what probability is there in it ? Thus it seems most likely that the play always was an extremely short one . Can we , then , at all account for its shortness ? It is possible , in the first place , that it was not composed ...
... play , what probability is there in it ? Thus it seems most likely that the play always was an extremely short one . Can we , then , at all account for its shortness ? It is possible , in the first place , that it was not composed ...
Seite 487
... play . The main effect is that of fiery speed , and it would be impossible to imagine the torment of Macbeth's mind last- ing through a number of years , even if Shakespeare had been willing to allow him years of outward success . Hence ...
... play . The main effect is that of fiery speed , and it would be impossible to imagine the torment of Macbeth's mind last- ing through a number of years , even if Shakespeare had been willing to allow him years of outward success . Hence ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
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action answer appears beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never NOTE observe once Ophelia Othello pain passage passion perhaps persons play possible present probably question reader reason refer regard scene seems seen sense Shake Shakespeare simply soliloquy soul speak speech stage story suffering suggest suppose surely tell things thou thought tion tragedy tragic true truth turn whole