to confess obligations where no benefit has been received, or to be unwilling that the public should consider me as owing that to a patron which Providence has enabled me to do for myself.
"Having carried on my work thus far with so little obligation to any favourer of learning, I shall not be disappointed though I should conclude it, if less be possible, with less; for I have been long wakened from that dream of hope in which I once boasted myself with so much exultation.
"Your lordship's most humble, most obedient servant, "SAM JOHNSON."
The origin of the following satire is told by Boswell (wno was prejudiced against Goldsmith) in this wise: "At a meeting of a company of gentlemen who were well known to each other and diverting themselves among other things with the peculiar oddities of Dr. Goldsmith, who would never allow a superior in any art, from writing poetry down to dancing a hornpipe, Goldsmith, with great eagerness, insisted on matching his epigrammatic powers with Garrick's. It was determined that each should write the other's epitaph. Garrick immediately said his epitaph was finished, and spoke the following distich extempore: 'Here lies Nolly Goldsmith, for shortness called Noll, Who wrote like an angel, but talked like poor Poll'.
Goldsmith would not produce his at the time, but some weeks after, read to the company this satire in which the characteristics of them all were happily hit off."
OF old, when Scarron his companions invited,
Each guest brought his dish, and the feast was united; If our landlord supplies us with beef and with fish, Let each guest bring himself, and he brings a good dish:
Our Dean shall be venison, just fresh from the plains;
Our Burke shall be tongue, with a garnish of brains;
Our Will shall be wild fowl, of excellent flavour;
And Dick with his pepper shall heighten their savour;
Our Cumberland's sweet-bread its place shall obtain,
And Douglas is pudding, substantial and plain:
Our Garrick a salad, for in him we see
Oil, vinegar, sugar, and saltness agree:
To make out the dinner, full certain I am
That Ridge is anchovy, and Reynolds is lamb;
That Hickey's a capon; and, by the same rule,
Magnanimous Goldsmith a gooseberry-fool.
At a dinner so various, at such a repast,
Who'd not be a glutton, and stick to the last?
Here, waiter, more wine, let me sit while I'm able,
Till all my companions sink under the table;
Then, with chaos and blunders encircling my head,
Let me ponder, and tell what I think of the dead.
Here lies the good Dean, reunited to earth,
Who mix'd reason with pleasure, and wisdom with mirth;
If he had any faults, he has left us in doubt,
At least in six weeks I could not find them out;
Yet some have declared, and it can't be denied them,
That Slyboots was cursedly cunning to hide them.
Here lies our good Edmund, whose genius was such,
We scarcely can praise it, or blame it too much;
Who, born for the universe, narrow'd his mind,
And to party gave up what was meant for mankind:
Though fraught with all learning, yet straining his throat
To persuade Tommy Townshend to lend him a vote:
Who, too deep for his hearers, still went on refining,
And thought of convincing, while they thought of dining;
Tho' equal to all things, for all things unfit,
Too nice for a statesman, too proud for a wit;
For a patriot too cool; for a drudge disobedient;
And too fond of the right to pursue the expedient.
In short, 't was his fate, unemploy'd or in place, sir,
To eat mutton cold, and cut blocks with a razor.
Here lies honest William, whose heart was a mint, While the owner ne'er knew half the good that was in 't; The pupil of impulse, it forced him along,
His conduct still right, with his argument wrong;
Still aiming at honour, yet fearing to roam,
The coachman was tipsy, the chariot drove home:
Would you ask for his merits? alas, he had none!
What was good was spontaneous, his faults were his own.
Here lies honest Richard, whose fate I must sigh at,
Alas, that such frolic should now be so quiet!
What spirits were his, what wit and what whim,
Now breaking a jest, and now breaking a limb!
Now wrangling and grumbling to keep up the ball,
Now teasing and vexing, yet laughing at all!
In short, so provoking a devil was Dick,
That we wish'd him full ten times a day at Old Nick,
But, missing his mirth and agreeable vein,
As often we wish'd to have Dick back again.
Here Cumberland lies, having acted his parts,
The Terence of England, the mender of hearts;
A flattering painter, who made it his care
To draw men as they ought to be, not what they are.
His gallants are all faultless, his women divine,
And Comedy wonders at being so fine;
Like a tragedy-queen he has dizen'd her out,
Or rather like tragedy giving a rout.
His fools have their follies so lost in a crowd
Of virtues and feelings, that folly grows proud;
And coxcombs, alike in their failings alone,
Adopting his portraits, are pleased with their own.
Say, where has our poet this malady caught?
Or wherefore his characters thus without fault?
Say, was it, that vainly directing his view
To find out men's virtues, and finding them few,
Quite sick of pursuing each troublesome elf,
He grew lazy at last, and drew from himself?
Here Douglas retires from his toils to relax,
The scourge of impostors, the terror of quacks.
Come, all ye quack bards, and ye quacking divines,
Come, and dance on the spot where your tyrant reclines
When satire and censure encircled his throne,
I fear'd for your safety, I fear'd for my own:
But now he is gone, and we want a detector,
Our Dodds shall be pious, our Kenricks shall lecture;
Macpherson write bombast, and call it a style;
Our Townshend make speeches, and I shall compile;
New Lauders and Bowers the Tweed shall cross over,
No countryman living their tricks to discover:
Detection her taper shall quench to a spark,
And Scotchman meet Scotchman and cheat in the dark.
Here lies David Garrick, describe him who can?
An abridgment of all that was pleasant in man;
As an actor, confessed without rival to shine;
As a wit, if not first, in the very first line;
Yet with talents like these, and an excellent heart,
The man had his failings, a dupe to his art;
Like an ill-judging beauty his colours he spread,
And beplaster'd with rouge his own natural red.
On the stage he was natural, simple, affecting:
"T was only that when he was off he was acting;
With no reason on earth to go out of his way,
He turn'd and he varied full ten times a day:
Tho' secure of our hearts, yet confoundedly sick
If they were not his own by finessing and trick;
He cast off his friends as a huntsman his pack,
For he knew when he pleased he could whistle them back.
Of praise a mere glutton, he swallow'd what came,
And the puff of a dunce he mistook it for fame;
Till his relish grown callous, almost to disease,
Who pepper'd the highest was surest to please.
But let us be candid, and speak out our mind:
If dunces applauded, he paid them in kind.
Ye Kenricks, ye Kellys, and Woodfalls so grave,
What a commerce was yours, while you got and you gave!
How did Grub-street re-echo the shouts that you raised,
When he was be-Roscius'd and you were bepraised!
But peace to his spirit, wherever it flies,
To act as an angel, and mix with the skies!
Those poets who owe their best fame to his skill,
Shall still be his flatterers, go where he will;
Old Shakespeare receive him with praise and with love,
And Beaumonts and Bens be his Kellys above.
Here Hickey reclines, a most blunt, pleasant creature, And Slander itself must allow him good-nature: He cherish'd his friend, and he relish'd a bumper: Yet one fault he had, and that one was a thumper. Perhaps you may ask if the man was a miser? I answer, no, no, for he always was wiser. Too courteous, perhaps, or obligingly flat? His very worst foe can't accuse him of that. Perhaps he confided in men as they go, And so was too foolishly honest? Ah no! Then what was his failing? Come, tell it, and burn ye,He was, could he help it? a special attorney.
Here Reynolds is laid, and to tell you my mind,
He has not left a wiser or better behind:
His pencil was striking, resistless, and grand:
His manners were gentle, complying, and bland;
Still born to improve us in every part,
His pencil our faces, his manners our heart:
To coxcombs averse, yet most civilly steering,
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