claims study, pretends to take things in motion, and to shoot flying, which appears to be very true, by his often missing of his mark. As for epithets, he always avoids those that are near akin to the sense. Such matches are unlawful and not fit to be made by a Christian poet; and therefore all his care is to choose out such as will serve, like a wooden leg, to piece out a maimed verse that wants a foot or two, and if they will but rhyme now and then into the bargain, or run upon a letter, it is a work of supererogation. For similitudes, he likes the hardest and most obscure best; for as ladies wear black patches to make their complexions seem fairer than they are, so when an illustration is more obscure than the sense that went before it, it must of necessity make it appear clearer than it did; for contraries are best set off with contraries. He has found out a new sort of poetical Georgics—a trick of sowing wit like clover-grass on barren subjects, which would yield nothing before. This is very useful for the times, wherein, some men say, there is no room left for new invention. He will take three grains of wit like the elixir, and, projecting it upon the iron age, turn it immediately into gold. All the business of mankind has presently vanished, the whole world has kept holiday; there has been no men but heroes and poets, no women but nymphs and shepherdesses: trees have borne fritters, and rivers flowed plum-porridge. When he writes, he commonly steers the sense of his lines by the rhyme that is at the end of them, as butchers do calves by the tail. For when he has made one line, which is easy enough, and has found out some sturdy hard word that will but rhyme, he will hammer the sense upon it, like a piece of hot iron upon an anvil, into what form he pleases. There is no art in the world so rich in terms as poetry; a whole dictionary is scarce able to contain them; for there is hardly a pond, a sheep-walk, or a gravel-pit in all Greece, but the ancient name of it is become a term of art in poetry. By this means, small poets have such a stock of able hard words lying by them, as dryades, hamadryades, aönides, fauni, nymphæ, sylvani, &c. that signify nothing at all; and such a world of pedantic terms of the same kind, as may serve to furnish all the new inventions and "thorough reformations" that can happen between this and Plato's great year. ANDREW MARVELL. (1621-1678.) XVI. NOSTRADAMUS'S PROPHECY. From Political Satires and other Pieces. It is curious to note how much of the prophecy was actually fulfilled. FOR faults and follies London's doom shall fix, And she must sink in flames in "sixty-six"; Where vengeance dwells. But there is one thing more (Tho' its walls stand) shall bring the city low'r; When legislators shall their trust betray, Saving their own, shall give the rest away; And e'en to rob the chequer shall be just, Shall be in use at court, but faith and troth. Whom wise men laugh at, and whom women rule; To make harsh empty speeches two hours long When wooden shoon shall be the English wear Than either Greek or Latin story show: Their wives to 's lust exposed, their wealth to 's spoil, For that still fill'd flows out as fast again; Then they with envious eyes shall Belgium see, And wish in vain Venetian liberty. The frogs too late grown weary of their pain, JOHN CLEIVELAND. (1613-1658.) XVII. THE SCOTS APOSTASIE. From Poems and Satires, posthumously published in 1662. S'T come to this? What shall the cheeks of fame IST Stretch'd with the breath of learned Loudon's name, Brought to the test be found a trick of state, Blasts more than murders of your sixty kings; Beyond this sin no one step can be trod. Till you were shrivell'd to dust, and your cold land First, may your brethren, to whose viler ends Till forced by general hate you cease to roam To sum up all . . . let your religion be As your allegiance-maskt hypocrisie Until when Charles shall be composed in dust |