Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethDigiCat, 04.09.2022 - 486 Seiten DigiCat Publishing presents to you this special edition of "Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth" by A. C. Bradley. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
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... force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward movements already present and exerting an influence; to ...
... force in this action would be a serious error. But the supernatural is always placed in the closest relation with character. It gives a confirmation and a distinct form to inward movements already present and exerting an influence; to ...
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... forces, which animate these persons or groups, we may say that two of such passions or ideas, regarded as animating two persons or groups, are the combatants. The love of Romeo and Juliet is in conflict with the hatred of their houses ...
... forces, which animate these persons or groups, we may say that two of such passions or ideas, regarded as animating two persons or groups, are the combatants. The love of Romeo and Juliet is in conflict with the hatred of their houses ...
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... force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force ...
... force, but comparatively little with himself, are all early plays. If we are to include the outer and the inner struggle in a conception more definite than that of conflict in general, we must employ some such phrase as 'spiritual force ...
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... force. In almost all we observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the ...
... force. In almost all we observe a marked one-sidedness, a predisposition in some particular direction; a total incapacity, in certain circumstances, of resisting the force which draws in this direction; a fatal tendency to identify the ...
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... forces is quite alien to him; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw. But the fatal imperfection or error, which is never absent, is of different kinds and degrees ...
... forces is quite alien to him; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw. But the fatal imperfection or error, which is never absent, is of different kinds and degrees ...
Inhalt
SHAKESPEARES TRAGIC PERIODHAMLET | |
LECTURE IV | |
OTHELLO | |
LECTURE VII | |
KING LEAR | |
LECTURE IX | |
MACBETH | |
NOTE | |
NOTE | |
Andere Ausgaben - Alle anzeigen
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley Eingeschränkte Leseprobe - 2020 |
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Eingeschränkte Leseprobe - 2019 |
Shakespearean Tragedy; Lectures on Hamlet, Othello, King Lear, Macbeth A. C. Bradley Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shakespeare Shakespearean tragedy soliloquy soul speak speech story suppose surely Table of Contents thee things thou thought Timon tragedy tragic Troilus and Cressida truth whole wife Witches words