Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 170
... Iago , and Cleopatra ( I name them in the order of their births ) are probably the most wonderful . Of these , again , Hamlet and Iago , whose births come nearest together , are perhaps the most subtle . And if Iago had been a person as ...
... Iago , and Cleopatra ( I name them in the order of their births ) are probably the most wonderful . Of these , again , Hamlet and Iago , whose births come nearest together , are perhaps the most subtle . And if Iago had been a person as ...
Seite 173
... Iago him- self had often fought by Othello's side , and by ' old gradation ' too ought to have been preferred . Most or all of this is re- peated by some critics as though it were information given by Shakespeare , and the conclusion is ...
... Iago him- self had often fought by Othello's side , and by ' old gradation ' too ought to have been preferred . Most or all of this is re- peated by some critics as though it were information given by Shakespeare , and the conclusion is ...
Seite 174
... Iago's being discontented at it , not even when the intrigue was disclosed and he asked himself how he had offended Iago . 2 It is necessary to examine in this manner every statement made by Iago . But it is not necessary to do so in ...
... Iago's being discontented at it , not even when the intrigue was disclosed and he asked himself how he had offended Iago . 2 It is necessary to examine in this manner every statement made by Iago . But it is not necessary to do so in ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words