Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 95
... heart , for I must hold my tongue ! He can do nothing . He must lock in his heart , not any sus- picion of his uncle that moves obscurely there , but that horror and loathing ; and if his heart ever found relief , it was when those ...
... heart , for I must hold my tongue ! He can do nothing . He must lock in his heart , not any sus- picion of his uncle that moves obscurely there , but that horror and loathing ; and if his heart ever found relief , it was when those ...
Seite 110
... heart in twain , he answers , O throw away the worser part of it , And live the purer with the other half . The truth is that , though Hamlet hates his uncle and acknow- ledges the duty of vengeance , his whole heart is never in this ...
... heart in twain , he answers , O throw away the worser part of it , And live the purer with the other half . The truth is that , though Hamlet hates his uncle and acknow- ledges the duty of vengeance , his whole heart is never in this ...
Seite 243
... heart breaks , is romantic in its naturalism ; and to make a verse out of this one word required the boldness as well as the inspiration which came infallibly to Shakespeare at the greatest moments . But the familiarity , boldness and ...
... heart breaks , is romantic in its naturalism ; and to make a verse out of this one word required the boldness as well as the inspiration which came infallibly to Shakespeare at the greatest moments . But the familiarity , boldness and ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words