Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
Im Buch
Ergebnisse 1-3 von 91
Seite 3
... hero . On the one hand ( whatever may be true of tragedy elsewhere ) no play at the end of which the hero remains alive is , in the full Shakespearean sense , a tragedy ; and we no longer class Troilus and Cressida or Cymbeline as such ...
... hero . On the one hand ( whatever may be true of tragedy elsewhere ) no play at the end of which the hero remains alive is , in the full Shakespearean sense , a tragedy ; and we no longer class Troilus and Cressida or Cymbeline as such ...
Seite 12
... hero opposes to a hostile force an undivided soul , is not the Shake- spearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
... hero opposes to a hostile force an undivided soul , is not the Shake- spearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
Seite 15
... hero's ruin . The tragic hero with Shakespeare , then , need not be ' good ' , though generally he is ' good ' and therefore at once wins sympathy in his error . But it is necessary that he should have so much of greatness that in his ...
... hero's ruin . The tragic hero with Shakespeare , then , need not be ' good ' , though generally he is ' good ' and therefore at once wins sympathy in his error . But it is necessary that he should have so much of greatness that in his ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words