Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 203
... imagination . For this reason , too , even the best attempts at exposition of King Lear are disappointing ; they remind us of attempts to reduce to prose the impalpable spirit of the Tempest . I propose to develop some of these ideas by ...
... imagination . For this reason , too , even the best attempts at exposition of King Lear are disappointing ; they remind us of attempts to reduce to prose the impalpable spirit of the Tempest . I propose to develop some of these ideas by ...
Seite 295
... imagination of a poet , — an imagination on the one hand extremely sensitive to impressions of a certain kind , and , on the other , productive of violent disturbance both of mind and body . Through it he is kept in contact with ...
... imagination of a poet , — an imagination on the one hand extremely sensitive to impressions of a certain kind , and , on the other , productive of violent disturbance both of mind and body . Through it he is kept in contact with ...
Seite 298
... imagination presents to him the parching of his throat as an immediate judgment from heaven . His wife heard the owl ... imagination . So long as Macbeth's imagination is active , we watch him fascinated ; we feel suspense , horror , awe ...
... imagination presents to him the parching of his throat as an immediate judgment from heaven . His wife heard the owl ... imagination . So long as Macbeth's imagination is active , we watch him fascinated ; we feel suspense , horror , awe ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words