Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite xiv
... later confessed , ' I wish to withdraw the whole note ' , but left his earlier thoughts in place so that we are encouraged to think it out for ourselves . If such a book were published today , critics would praise its author as an ...
... later confessed , ' I wish to withdraw the whole note ' , but left his earlier thoughts in place so that we are encouraged to think it out for ourselves . If such a book were published today , critics would praise its author as an ...
Seite 63
... later heroes , on the other hand , Othello , Lear , Timon , Macbeth , Antony , Coriolanus , have , one and all , passionate natures , and , speaking roughly , we may attri- bute the tragic failure in each of these cases to passion ...
... later heroes , on the other hand , Othello , Lear , Timon , Macbeth , Antony , Coriolanus , have , one and all , passionate natures , and , speaking roughly , we may attri- bute the tragic failure in each of these cases to passion ...
Seite 142
... later.1 There is , further ( not to speak of one curious point , to be considered when we come to Ìago ) , a certain resemblance in the subjects . The heroes of the two plays are doubtless extremely unlike , so unlike that each could ...
... later.1 There is , further ( not to speak of one curious point , to be considered when we come to Ìago ) , a certain resemblance in the subjects . The heroes of the two plays are doubtless extremely unlike , so unlike that each could ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words