Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 117
... matter . ' It is no matter ' : nothing matters . - The last scene opens . He narrates to Horatio the events of the voyage and his uncle's attempt to murder him . But the conclusion of the story is no plan of action , but the old fatal ...
... matter . ' It is no matter ' : nothing matters . - The last scene opens . He narrates to Horatio the events of the voyage and his uncle's attempt to murder him . But the conclusion of the story is no plan of action , but the old fatal ...
Seite 381
... matters which would escape attention in the theatre , matters introduced not because they are essential to the plot ... matter too bulky , had ( a ) omitted to write some things originally intended , and ( b ) , after finishing his play ...
... matters which would escape attention in the theatre , matters introduced not because they are essential to the plot ... matter too bulky , had ( a ) omitted to write some things originally intended , and ( b ) , after finishing his play ...
Seite 409
... matter greatly , so long as the reader is consis- tent ; for the important point is not the precise number of run - on lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König ...
... matter greatly , so long as the reader is consis- tent ; for the important point is not the precise number of run - on lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words