Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 84
... Mind and Art , 4th ed . , pp . 132 , 133 ) . --- On the whole , the Schlegel - Coleridge theory ( with or with- out Professor Dowden's modification and amplification ) is the most widely received view of Hamlet's character . And with it ...
... Mind and Art , 4th ed . , pp . 132 , 133 ) . --- On the whole , the Schlegel - Coleridge theory ( with or with- out Professor Dowden's modification and amplification ) is the most widely received view of Hamlet's character . And with it ...
Seite 132
... mind and not to flinch , but to go through her task for Hamlet's sake and her father's ? And , finally , is it really a thing to be taken as matter of course , and no matter for ad- miration , in this girl that , from beginning to end ...
... mind and not to flinch , but to go through her task for Hamlet's sake and her father's ? And , finally , is it really a thing to be taken as matter of course , and no matter for ad- miration , in this girl that , from beginning to end ...
Seite 174
... mind was perfectly at ease about the appointment , and that he never dreamed of Iago's being discontented at it , not even when the intrigue was disclosed and he asked himself how he had offended Iago . 2 It is necessary to examine in ...
... mind was perfectly at ease about the appointment , and that he never dreamed of Iago's being discontented at it , not even when the intrigue was disclosed and he asked himself how he had offended Iago . 2 It is necessary to examine in ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words