Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 178
... never been detected in any serious offence and may even never have been guilty of one , but had pursued a selfish but outwardly decent life , enjoying the excitement of war and of casual pleasures , but never yet meeting with any ...
... never been detected in any serious offence and may even never have been guilty of one , but had pursued a selfish but outwardly decent life , enjoying the excitement of war and of casual pleasures , but never yet meeting with any ...
Seite 256
... never saw . Kent never forgets this Lear . In the Storm - scenes , even after the King becomes insane , Kent never addresses him without the old terms of respect , ' your grace ' , ' my lord ' , ' sir ' . How characteristic it is that ...
... never saw . Kent never forgets this Lear . In the Storm - scenes , even after the King becomes insane , Kent never addresses him without the old terms of respect , ' your grace ' , ' my lord ' , ' sir ' . How characteristic it is that ...
Seite 309
... never asks his help . She leans on nothing but herself . And from the beginning to the end though she makes once or twice a slip in acting her part her will never fails her . Its grasp upon her nature may destroy her , but it is never ...
... never asks his help . She leans on nothing but herself . And from the beginning to the end though she makes once or twice a slip in acting her part her will never fails her . Its grasp upon her nature may destroy her , but it is never ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words