Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 64
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
Seite 155
... passion , having my best judgment collied , Assays to lead the way . We remember these words later , when the sun of reason is ' collied ' , blackened and blotted out in total eclipse . Lastly , Othello's nature is all of one piece ...
... passion , having my best judgment collied , Assays to lead the way . We remember these words later , when the sun of reason is ' collied ' , blackened and blotted out in total eclipse . Lastly , Othello's nature is all of one piece ...
Seite 183
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear- sighted , and who must hitherto have been so prudent , into a plot so extremely hazardous ...
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear- sighted , and who must hitherto have been so prudent , into a plot so extremely hazardous ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words