Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
Im Buch
Ergebnisse 1-3 von 87
Seite 71
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage - play , might bring the fact home to us . It is to - day the most popular of ...
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage - play , might bring the fact home to us . It is to - day the most popular of ...
Seite 364
... play has been tampered with . We have no text earlier than 1622 , six years after Shakes- peare's death . It may be suggested , then , that in the play , as Shakespeare wrote it , there was a gap of some weeks between the arrival in ...
... play has been tampered with . We have no text earlier than 1622 , six years after Shakes- peare's death . It may be suggested , then , that in the play , as Shakespeare wrote it , there was a gap of some weeks between the arrival in ...
Seite 401
... play has here been meddled with , trebles their weight . And it gives some weight to the further fact that these passages resemble one another , and differ from the bulk of the other Witch passages , in being iambic in rhythm . ( It ...
... play has here been meddled with , trebles their weight . And it gives some weight to the further fact that these passages resemble one another , and differ from the bulk of the other Witch passages , in being iambic in rhythm . ( It ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words