Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 52
... produced . But no artist always does this , and I see no reason to doubt that Shakespeare often did it , or to suppose that his method of constructing and composing differed , except in degree , from that of the most ' conscious ' of ...
... produced . But no artist always does this , and I see no reason to doubt that Shakespeare often did it , or to suppose that his method of constructing and composing differed , except in degree , from that of the most ' conscious ' of ...
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... produced in support of it , and , on the other hand , a great deal can be produced in its disproof . To take the latter point first , Hamlet , it is impossible to deny , habitually assumes , without any questioning , that he ought to ...
... produced in support of it , and , on the other hand , a great deal can be produced in its disproof . To take the latter point first , Hamlet , it is impossible to deny , habitually assumes , without any questioning , that he ought to ...
Seite 216
... produced Ariel and Caliban , the tendency of imagination to analyse and abstract , to decompose human nature into ... produces symbols , allegories , personifications of qualities and abstract ideas ; and we are accustomed to think it ...
... produced Ariel and Caliban , the tendency of imagination to analyse and abstract , to decompose human nature into ... produces symbols , allegories , personifications of qualities and abstract ideas ; and we are accustomed to think it ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words