Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1985 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 208
... whole ' would ' lose its significance ' , because it would no longer show us that the belief in Providence ' requires a wider range than the dark pilgrimage on earth to be established in its whole extent ' , I answer that , if the drama ...
... whole ' would ' lose its significance ' , because it would no longer show us that the belief in Providence ' requires a wider range than the dark pilgrimage on earth to be established in its whole extent ' , I answer that , if the drama ...
Seite 229
... whole this effect , and we regard it as a very serious flaw in any considerable work of art that this should be its ... whole with a catastrophe . A drama like the Philoctetes is a self - contained whole , but , ending with a solution ...
... whole this effect , and we regard it as a very serious flaw in any considerable work of art that this should be its ... whole with a catastrophe . A drama like the Philoctetes is a self - contained whole , but , ending with a solution ...
Seite 380
... whole play can have little value , since it is practically certain that Shakespeare did not write the whole play . It seems to consist ( 1 ) of parts that are purely Shakespearean ( the text , however , being here , as elsewhere , very ...
... whole play can have little value , since it is practically certain that Shakespeare did not write the whole play . It seems to consist ( 1 ) of parts that are purely Shakespearean ( the text , however , being here , as elsewhere , very ...
Inhalt
LECTURE II | 29 |
LECTURE III | 61 |
LECTURE IV | 102 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood Bradley Cassio catastrophe cause certainly character conflict conscious Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt dramatic Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows Fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror human husband Iago Iago's idea imagination impression insanity Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech story suffering suppose surely thee things thou thought Timon tragic Troilus and Cressida truth whole Witches words