Essays by Divers Hands |
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Seite 47
... short stories were and are capable of being contemplated with all due aesthetic serenity , the process of their composition was marked by accidents and delays and disappointments of every kind . Faulkner was never quite so poor as his ...
... short stories were and are capable of being contemplated with all due aesthetic serenity , the process of their composition was marked by accidents and delays and disappointments of every kind . Faulkner was never quite so poor as his ...
Seite 48
... short stories , film scripts , and occasional pieces of non - fictional prose that also need to be woven conceptually into the texture of those years , so that texture itself begins to seem tighter , tougher , and less random as a wider ...
... short stories , film scripts , and occasional pieces of non - fictional prose that also need to be woven conceptually into the texture of those years , so that texture itself begins to seem tighter , tougher , and less random as a wider ...
Seite 50
... short gallop at full speed ' . Faulkner's relative affluence in the early 1930s - based largely on the ease with which he was selling his short stories to the magazines and his script - doctoring services to Hollywood - made it ...
... short gallop at full speed ' . Faulkner's relative affluence in the early 1930s - based largely on the ease with which he was selling his short stories to the magazines and his script - doctoring services to Hollywood - made it ...
Inhalt
by Sir Richard Faber KCVO CMG FRSL | 1 |
FRENCH WRITERS | 14 |
Willard Connely Memorial Lecture | 41 |
Urheberrecht | |
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