Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1924 - 498 Seiten |
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Seite x
... action in Hamlet 401 NOTE B. Where was Hamlet at the time of his father's death ? 403 NOTE C. Hamlet's age - 407 NOTE D. My tables - meet it is I set it down ' - 409 NOTE E. The Ghost in the cellarage 412 NOTE F. The Player's speech in ...
... action in Hamlet 401 NOTE B. Where was Hamlet at the time of his father's death ? 403 NOTE C. Hamlet's age - 407 NOTE D. My tables - meet it is I set it down ' - 409 NOTE E. The Ghost in the cellarage 412 NOTE F. The Player's speech in ...
Seite 12
... action issuing from character , or in character issuing in action . To say Shakespeare's main interest lay here . that it lay in mere character , or was a psychologi- cal interest , would be a great mistake , for he was dramatic to the ...
... action issuing from character , or in character issuing in action . To say Shakespeare's main interest lay here . that it lay in mere character , or was a psychologi- cal interest , would be a great mistake , for he was dramatic to the ...
Seite 13
... action , ' occasionally or frequently , beside the characteristic deeds , and the sufferings and circumstances , of the persons . I will refer to three of these additional factors . ( a ) Shakespeare , occasionally and for reasons which ...
... action , ' occasionally or frequently , beside the characteristic deeds , and the sufferings and circumstances , of the persons . I will refer to three of these additional factors . ( a ) Shakespeare , occasionally and for reasons which ...
Seite 14
... action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious error . But the super- natural is ...
... action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious error . But the super- natural is ...
Seite 15
... confined our attention . " Comedy stands in a different position . The tricks played by chance often form a principal part of the comic action . will be found that almost all the prominent acci- dents LECT . I. 15 THE SUBSTANCE OF TRAGEDY.
... confined our attention . " Comedy stands in a different position . The tricks played by chance often form a principal part of the comic action . will be found that almost all the prominent acci- dents LECT . I. 15 THE SUBSTANCE OF TRAGEDY.
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words