Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1924 - 498 Seiten |
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Seite 4
... later lectures . But much of the writing is evidently not his , and as it seems prob- able that the conception and construction of the whole tragedy should also be attributed to some other writer , I shall omit this work too from our ...
... later lectures . But much of the writing is evidently not his , and as it seems prob- able that the conception and construction of the whole tragedy should also be attributed to some other writer , I shall omit this work too from our ...
Seite 12
... later tragedies perhaps impossible , to detect passages where he has allowed such freedom to the interest in character apart from action . But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different ...
... later tragedies perhaps impossible , to detect passages where he has allowed such freedom to the interest in character apart from action . But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different ...
Seite 18
... later , we find that it is in the latter , the maturest works , that this inward struggle is most em- phasised . In the last of them , Coriolanus , its interest completely eclipses towards the close of the play that of the outward ...
... later , we find that it is in the latter , the maturest works , that this inward struggle is most em- phasised . In the last of them , Coriolanus , its interest completely eclipses towards the close of the play that of the outward ...
Seite 19
... later the importance of this idea . Here we need only observe that the notion of tragedy as a conflict emphasises the fact that action is the centre of the story , while the concen- tration of interest , in the greater plays , on the ...
... later the importance of this idea . Here we need only observe that the notion of tragedy as a conflict emphasises the fact that action is the centre of the story , while the concen- tration of interest , in the greater plays , on the ...
Seite 29
... later days to continue a career of portentous calamities and sins . Shakespeare , indeed , does not appear to have taken much interest in heredity , or to have attached much importance to LECT . I. 29 THE SUBSTANCE OF TRAGEDY.
... later days to continue a career of portentous calamities and sins . Shakespeare , indeed , does not appear to have taken much interest in heredity , or to have attached much importance to LECT . I. 29 THE SUBSTANCE OF TRAGEDY.
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words