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But I've in vain essayed it,
And feel I can not now.

While memory bids me weep thee
Nor thoughts nor words are free,
The grief is fixed too deeply

That mourns a man like thee.

This is a true and manly record of a true and manly friendship. There is no doubting the sorrow, honorable alike to the Departed and the Survivor. May he be so loved and so mourned!

XXVII.

VOLUMINOUS AUTHORS.

HARGRAVE'S STATE TRIALS.

ALL my life long I have delighted in voluminous works; in other words, I have delighted in that sort of detail which permits so intimate a familiarity with the subjects of which it treats. This fancy of mine seems most opposed to the spirit of an age fertile in abridgments and selections. And yet my taste is hardly, perhaps, so singular as it seems: witness the six volume biographies of Scott and Southey, which every body wishes as long again as they are; witness the voluminous histories of single events the Conquest of Peru and of Mexico, by Mr. Prescott, the French Revolution of M. Thiers, the Girondins of M. de Lamartine. Even the most successful writers of modern fiction have found, the magical effects of bringing the public into intimacy with their heroes. Hence Mr. Cooper (dead I regret to say, but yet imperishably alive in his graphic novels), extended to fifteen volumes the adventures of Leather-Stocking, until every reader offered his hand to greet the honest backwoodsman as if he had been a daily visitor; and Balzac, a still greater artist, brought the same dramatis persona, the same set of walking ladies and gentlemen to fill up the background of his scenes of the "Life of Paris and of the Provinces," with an illusion so perfect and so masterly, that I myself, who ought to have some acquaintance with the artifices of story-telling, was so completely deceived as to inquire by letter of the friend who had introduced me to those remarkable books, whether the Horace Bianchon, whom I had just found consulted for the twentieth time in some grave malady, were a make-believe physician, or a real living man to which my friend, herself no novice in this sort of deception, replied that he was certainly a fictitious personage, for that she had written two years ago to Paris to ask the same question

Even in this world of Beauties, and of Extracts, I do not believe myself quite alone in my love of the elaborate and the minute; and yet I doubt if many people contemplate very long very big books with the sense of coming enjoyment which such a prospect gives me; and few shrink, as I do, with aversion and horror from that invention of the enemy-an Abridgment. I never shall forget the shock I experienced in seeing Bruce, that opprobrium of an unbelieving age, that great and graphic traveler, whose eight or nine goodly volumes took such possession of me, that I named a whole colony of bantams after his Abyssinian princes and princesses, calling a little golden strutter of a cock after that arch-tyrant the Ras Michael, and a speckled hen, the beauty of the poultry-yard, Ozoro Esther, in honor of the Ras's favorite wife-I never felt greater disgust than at seeing this magnificent work cut down to a thick, dumpy volume, seven inches by five; except, perhaps, when I happened to light upon another pet book-Drinkwater's "Siege of Gibraltar," where I had first learned to tremble at the grim realities of war, had watched day by day the firing of the red-hot balls, had groped my way through the galleries, and taken refuge in the casemates, degraded from the fair proportions of a goodly quarto, into the thin and meager pamphlet of a lending library, losing a portion of its life-like truth with every page that was cut away.

Besides books long in themselves, I love large collections of works, of the same class. Shakspeare I had always known, of course. But what joy it was to wander at will through the vellum bound folio of Beaumont and Fletcher, and then to diverge to Ben Jonson, to Massinger, to Ford, to Webster, to the countless riches of Dodsley's Old Plays! How pleasant to get together books united only by a common subject, collections of English ballads, Percy, Weber, Heber, Ritson, Scott, the Chronicles of Froissart and de Joinville, of Hollinshed and of Hall, the endless Memoirs of Louis the Fourteenth's day, or the still more endless Journals and Diaries, whether by prince or valet, whether false or true, that show us vividly as in life him whom Beranger has called "the great poet of modern times," the marvelous Napoleon!

Or again, books by the same author: the novels of Richardson; the letters of Walpole-will they ever come to an end? I hope not. The majestic verse and graceful prose of Dryden,

whose prefaces contain some of our earliest criticism and some of our best; the wisdom of Bacon; the wit of Swift; the easy truth of Jane Austen; the matchless charm of Scott. I have heard of Prynne and Defoe more than would break down a writingtable, and about the French Revolution as much as would fill a

room.

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Nor do I perceive much change in this devouring passion. Nearly forty years ago, I had occasion to acquire as much knowledge as I could on the subject of the Commonwealth, and it was a labor of love. From the lives of Hutchinson and Fairfax, so charmingly told by their loving wives, and the exciting histories of Burnet and Clarendon to the dullest State Papers of the Record Office, my ravenous appetite "had stomach for them all." Four winters since, I was reading for my own pleasure, Lucas Monsigny's Life of Mirabeau." It was a hired book, a Brussels edition, in ten volumes, from Mr. Rolandi's excellent Foreign Library in Berners Street, and I had only the first four. Full of Mirabeau, of that strange creature his father, and that little less remarkable personage the Bailli, his uncle, worse than the vain, tyrannical father in my mind, because he had a perception of the stupendous intellect and noble nature with which they were dealing, and yet submitted in all things to that heartless coxcomb, the Marquis; full of these people, I could not think of waiting until I had written to London, I should never have closed my eyes; so I ran off to a most kind neighbor, whose rich library and constant indulgence afforded me some chance of supplying this pressing want. "Vie de Mirabeau, par son fils adoptif?" said the fair daughter, whom I encountered in the park. "Yes," answered I, with a thousand thanks : that life of Mirabeau, if Sir Henry happen to have it. If not, any life, any book, by or about hin, to serve until I can get the true thing!" And so I went my way! In a few hours, a horse and cart arrived at my door, containing a great trunk, and a note with a key inclosed. And this precious trunk was full of Mirabeau : orations, letters, lives; all of his own writing, that a woman might fitly read, and almost all that had been written about him, from Dumont's cold "unworthy book to the fine étude of Victor Hugo. I do not think I even opened a newspaper until I had gone through the whole collection.

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One winter I reveled in all the lore I could procure regarding

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beasts and birds, and insects, and reptiles; another I solaced myself by a course of topography, ponderous county histories which are called so dull and are often so amusing, full of odd bits of legend and story and traits of manners that one finds nowhere else; and once I beguiled the long Christmas evenings by looking through the whole series of the "Monthly Review," reading the cotemporary judgments on Hume and Robertson, on Gibbon and Johnson, on Fielding and Smollett, on Gray and Mason, on Goldsmith and Sterne, and comparing the criticism of the day with the abiding verdict of posterity. Any body not willing to encounter the trouble of turning over above a hundred heavy volumes may procure for himself a recreation nearly analogous by reading the correspondence which Mr. Mitford has just so ably edited between the before-mentioned Horace Walpole and Mason; and yet that is hardly a fair example. Prince of letter-writers as Walpole was, created as it seems for nothing else but to chron icle with the adroitest of touches the gossip of the day, it is something wonderful how seldom even by accident he shows the slightest perception of the high, the good, or the true. There is hardly a great name of his own time at which he does not sneer. one passage he ignores them in a body, and says, "Dr. Johnson and the crew whose names I forget," or words to that effect. He classes Garth as a poet with Milton; chooses Goldsmith as the object of his supreme contempt, and even among his own correspondents he had quarreled with Gray and was about to quarrel with Mason. He can hardly be said to reflect cotemporary opinion. Perhaps we of the last generation have seen something more nearly approaching it in the judgment of the "Quarterly" upon Keats, and of the "Edinburgh Review" upon Wordsworth. Time is the one great critic.

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Of all collected works those that I liked best, better than the poets from Chaucer to Tennyson, better than the dramatists from Shakspeare to Talfourd, were those most real and most exciting of all dramas called trials. I began with the French collections, collections consisting of very many small volumes, Lilliputian duodecimos, some of which are so infinitely curious; and having fairly exhausted them, I betook myself to the Brobdignagian folios of "Hargrave's State Trials.” What between the size of the books and my own short-sightedness, I well remember that I was compelled to move the reading-desk twice in the course of every

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