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acting actor admirable appear beauty believe better body called character Charles common criticism death delight effect English engraving Essay expression face feeling genius give given hand head heart Hogarth human imagination instance interest John kind known Lady Lamb Lamb's late least leave less living look manner matter mean mind Miss moral nature never night Notes object observation once original painting pass passage passion performer perhaps person picture piece play pleasure poem poet poetry poor praise present Quaker readers reason reference remarkable scene seems seen sense Shakspeare sight sort speak spirit stage story supposed tell thing thou thought true truth turn volume whole wonder write written young
Seite 145 - Thus this brook has conveyed his ashes into Avon, Avon into Severn, Severn into the narrow seas, they into the main ocean; and thus the ashes of Wickliffe are the emblem of his doctrine, which now is dispersed all the world over.
Seite 209 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Seite 28 - And made myself a motley to the view. **!!** O, for my sake, do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand ; And almost thence my nature is subdued To what it works in, like the dyer's hand.
Seite 208 - All but yon widow'd solitary thing, That feebly bends beside the plashy spring : She, wretched matron, forced in age, for bread, To strip the brook with mantling cresses spread...
Seite 31 - What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show ; it is too hard and stony ; it must have love-scenes and a happy ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Tate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw the mighty beast about more easily.
Seite 157 - ... unconsuming fire of light, In the green trees ; and, kindling on all sides Their leafy umbrage, turns the dusky veil Into a substance glorious as her own, Yea with her own incorporated, by power Capacious and serene. Like power abides In Man's celestial Spirit ; Virtue thus Sets forth and magnifies herself; thus feeds A calm, a beautiful, and silent fire, From the incumbrances of mortal life, From error, disappointment, — nay from guilt ; And sometimes, so relenting Justice wills, From palpable...
Seite 31 - ... from the stage of life the only decorous thing for him. If he is to live and be happy after, if he could sustain this world's burden after, why all this pudder and preparation, — why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes and sceptre again could tempt him to act over again his misused station, — as if at his years, and with his experience, anything was left but to die.
Seite 159 - Life's autumn past, I stand on winter's verge; And daily lose what I desire to keep : Yet rather would I instantly decline To the traditionary sympathies Of a most rustic ignorance, and take A fearful apprehension from the owl Or death-watch : and as readily rejoice, If two auspicious magpies crossed my way; — To this would rather bend than see and hear The repetitions wearisome of sense, Where soul is dead, and feeling hath no place...
Seite 185 - Half-hidden, like a mermaid in seaweed, Pensive awhile she dreams awake, and sees In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.