Critical essaysJ.M. Dent & Company, 1903 |
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Seite vii
... STAGE RE- THE DEATH OF MUNDEN 43 47 49 53 54 57 60 62 65 70 73 83 87 91 95 97 · 105 · 130 • 133 · 142 · 152 • 154 • 156 • 172 b ON THE CUSTOM OF HISSING AT THE THEATRES ON THE GENIUS AND CHARACTER OF HOGARTH THE REYNOLDS GALLERY ...
... STAGE RE- THE DEATH OF MUNDEN 43 47 49 53 54 57 60 62 65 70 73 83 87 91 95 97 · 105 · 130 • 133 · 142 · 152 • 154 • 156 • 172 b ON THE CUSTOM OF HISSING AT THE THEATRES ON THE GENIUS AND CHARACTER OF HOGARTH THE REYNOLDS GALLERY ...
Seite 12
... Stage , materially differs from that which he wrote under the same title , being in fact little better than a compilation or a cento of passages extracted from other of his Plays , and applied with gross violation of propriety ( as we ...
... Stage , materially differs from that which he wrote under the same title , being in fact little better than a compilation or a cento of passages extracted from other of his Plays , and applied with gross violation of propriety ( as we ...
Seite 17
... STAGE REPRESENTATION . TAKING a turn the AKING a turn the other day in the Abbey , I was struck with the affected attitude of a figure , which I do not remember to have seen before , and which upon examination proved to be a whole ...
... STAGE REPRESENTATION . TAKING a turn the AKING a turn the other day in the Abbey , I was struck with the affected attitude of a figure , which I do not remember to have seen before , and which upon examination proved to be a whole ...
Seite 19
... stage - player for all the pleasure which they can receive from the drama , and to whom the very idea of what an author is cannot be made comprehensible without some pain and perplexity of mind : the error is one from which persons ...
... stage - player for all the pleasure which they can receive from the drama , and to whom the very idea of what an author is cannot be made comprehensible without some pain and perplexity of mind : the error is one from which persons ...
Seite 20
... stage than those of almost any other dramatist whatever . Their distinguishing excellence is a reason that they should be so . There is so much in them , which comes not under the province of acting , with which eye , and tone , and ...
... stage than those of almost any other dramatist whatever . Their distinguishing excellence is a reason that they should be so . There is so much in them , which comes not under the province of acting , with which eye , and tone , and ...
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Häufige Begriffe und Wortgruppen
acting actor admirable appear audience beauty better called character Charles Lamb charm Coleridge countenance Covent Garden criticism death delight dizzard Dora Jordan dramatic effect engraving Essay expression eye of mind face feeling genius GEORGE WITHER Gin Lane give Hamlet Harlot's Progress hath heart Hogarth honour humour imagination instance Kemble kind Lady Lamb's Lear Leigh Hunt less Liston living Lloyd look lover matter mind mirth Miss Kelly moral Munden nature never night once painting passage passion perhaps person picture piece play pleasure poem poet poetry poor praise Rake's Progress reader Richard Ritson Robert Lloyd scene Scott seems sense Shakspeare Shakspeare's smile soul spectators spirit stage story sweet theatre thee thing thou thought tion tragedy truth verse Vincent Bourne virtue William Hogarth woman wonder words write written
Beliebte Passagen
Seite 149 - Thus this brook has conveyed his ashes into Avon, Avon into Severn, Severn into the narrow seas, they into the main ocean; and thus the ashes of Wickliffe are the emblem of his doctrine, which now is dispersed all the world over.
Seite 213 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Seite 28 - And made myself a motley to the view. **!!** O, for my sake, do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand ; And almost thence my nature is subdued To what it works in, like the dyer's hand.
Seite 212 - All but yon widow'd solitary thing, That feebly bends beside the plashy spring : She, wretched matron, forced in age, for bread, To strip the brook with mantling cresses spread...
Seite 33 - What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show ; it is too hard and stony ; it must have love-scenes and a happy ending. It is not enough that Cordelia is a daughter, she must shine as a lover too. Tate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw the mighty beast about more easily.
Seite 161 - ... unconsuming fire of light, In the green trees ; and, kindling on all sides Their leafy umbrage, turns the dusky veil Into a substance glorious as her own, Yea with her own incorporated, by power Capacious and serene. Like power abides In Man's celestial Spirit ; Virtue thus Sets forth and magnifies herself; thus feeds A calm, a beautiful, and silent fire, From the incumbrances of mortal life, From error, disappointment, — nay from guilt ; And sometimes, so relenting Justice wills, From palpable...
Seite 33 - ... from the stage of life the only decorous thing for him. If he is to live and be happy after, if he could sustain this world's burden after, why all this pudder and preparation, — why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes and sceptre again could tempt him to act over again his misused station, — as if at his years, and with his experience, anything was left but to die.
Seite 163 - Life's autumn past, I stand on winter's verge; And daily lose what I desire to keep : Yet rather would I instantly decline To the traditionary sympathies Of a most rustic ignorance, and take A fearful apprehension from the owl Or death-watch : and as readily rejoice, If two auspicious magpies crossed my way; — To this would rather bend than see and hear The repetitions wearisome of sense, Where soul is dead, and feeling hath no place...
Seite 189 - Half-hidden, like a mermaid in seaweed, Pensive awhile she dreams awake, and sees In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.
Seite 326 - Essays, a book which wants only a sounder religious feeling, to be as delightful as it is original.