Julius CaesarWorld Book Company, 1913 - 115 Seiten |
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Seite iv
... the painting by Frank Dicksee THE ASSASSINATION OF CESAR , from the painting by J. L. 10 • 28 Gérôme . MARK ANTONY'S FUNERAL ORATION , from the painting by Henry Spiess vi 42 54 Shakespeare's house , Stratford - on - Avon . INTRODUCTION.
... the painting by Frank Dicksee THE ASSASSINATION OF CESAR , from the painting by J. L. 10 • 28 Gérôme . MARK ANTONY'S FUNERAL ORATION , from the painting by Henry Spiess vi 42 54 Shakespeare's house , Stratford - on - Avon . INTRODUCTION.
Seite xvii
... marks the beginning of the play proper may be called " the initial incident , " or , more simply , " the initial step . " By this phrase is meant the particular occurrence with which the movement of the drama actually begins . This ...
... marks the beginning of the play proper may be called " the initial incident , " or , more simply , " the initial step . " By this phrase is meant the particular occurrence with which the movement of the drama actually begins . This ...
Seite xviii
... marks the beginning of the resolution of the action may be termed " the resolving incident " ; in the case of a tragedy it may be called more specifically " the tragic incident . " All that is really necessary , however , is that the ...
... marks the beginning of the resolution of the action may be termed " the resolving incident " ; in the case of a tragedy it may be called more specifically " the tragic incident . " All that is really necessary , however , is that the ...
Seite xix
... marks the location of the initial incident ; B denotes the turn of the action - the resolving incident , if any single occurrence seems to deserve that title . We commonly speak of the closing part of the resolution . of a tragedy as ...
... marks the location of the initial incident ; B denotes the turn of the action - the resolving incident , if any single occurrence seems to deserve that title . We commonly speak of the closing part of the resolution . of a tragedy as ...
Seite xxix
... Mark Antonie had showne His vertues , who but Brutus then was vicious ? " It is generally agreed that these lines refer to Act III , scene ii , of Julius Cæsar . written later than 1601 . Hence our play cannot have been Francis Meres ...
... Mark Antonie had showne His vertues , who but Brutus then was vicious ? " It is generally agreed that these lines refer to Act III , scene ii , of Julius Cæsar . written later than 1601 . Hence our play cannot have been Francis Meres ...
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Häufige Begriffe und Wortgruppen
adjective Artemidorus back stage battle bear blood Brutus and Cassius Brutus's Cade Cæs Caesar Caius called Calpurnia Capitol Casca Cassius Cato character Cicero Cimber Cinna common conspiracy conspirators danger Decius Brutus doth drama Elizabethan enemies English Enter Exeunt Exit fear feast of Lupercal fire Folio Fourth Cit friends funeral give gods hand hath hear heart honour humour ides of March incident Julius Cæsar Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony market-place meaning Messala Metellus mind night noble Octavius Philippi Pindarus play Plutarch poet Pompey Pompey's Portia present Roman Rome scene seems Senate Shake Shakespeare slain Soothsayer speak speech Strato sword syllable tell theater thee thing Third Cit thou art thought Titinius to-day transferred epithet Trebonius unto verb verse Volumnius William Shakespeare word