John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 7
... Gielgud's notes and comments , written between performances , on trains , in the dressing room , jotted down when Hamlet should have been resting but when John Gielgud , electrified by a new idea , would give him no peace . These ...
... Gielgud's notes and comments , written between performances , on trains , in the dressing room , jotted down when Hamlet should have been resting but when John Gielgud , electrified by a new idea , would give him no peace . These ...
Seite 20
... Gielgud is willing to play him both nobly and angrily , extenuating nothing of his harshnesses but painting so clearly the picture of his outraged purity , his sorrow and his spiritual isolation , that Hamlet becomes in his hands the ...
... Gielgud is willing to play him both nobly and angrily , extenuating nothing of his harshnesses but painting so clearly the picture of his outraged purity , his sorrow and his spiritual isolation , that Hamlet becomes in his hands the ...
Seite 24
... Gielgud can sound at will . These tonal and quantitive variations are so closely woven into the pattern of his playing that the need for some sort of musical notation becomes evident to anyone attempting to make a record of his ...
... Gielgud can sound at will . These tonal and quantitive variations are so closely woven into the pattern of his playing that the need for some sort of musical notation becomes evident to anyone attempting to make a record of his ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words