John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 67
... Ophelia , we see him receiving Hamlet's letter and then when we next meet him he is with Hamlet in the graveyard knowing nothing of Ophelia's death . Here again it is no good trying to build the char- acter too realistically in sequence ...
... Ophelia , we see him receiving Hamlet's letter and then when we next meet him he is with Hamlet in the graveyard knowing nothing of Ophelia's death . Here again it is no good trying to build the char- acter too realistically in sequence ...
Seite 154
... OPHELIA . How does your honour for this many a day ? HAMLET . I humbly thank you ; well , well , well . OPHELIA . My lord , I have remembrances of yours , That I have longed long to re - deliver ; I pray you , now receive them . HAMLET ...
... OPHELIA . How does your honour for this many a day ? HAMLET . I humbly thank you ; well , well , well . OPHELIA . My lord , I have remembrances of yours , That I have longed long to re - deliver ; I pray you , now receive them . HAMLET ...
Seite 164
... OPHELIA . Ay , my lord . HAMLET . Do you think I meant country matters ? OPHELIA . You are merry , my lord . HAMLET . Who , I ? OPHELIA . Ay , my lord . HAMLET . O God , your only jig - maker . What should a man do but be merry ? for ...
... OPHELIA . Ay , my lord . HAMLET . Do you think I meant country matters ? OPHELIA . You are merry , my lord . HAMLET . Who , I ? OPHELIA . Ay , my lord . HAMLET . O God , your only jig - maker . What should a man do but be merry ? for ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words