John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 21
... action is carried through to every detail of his use of costume and properties . Whether he inherited the trick from his actor - forebears or learned to swing cloak and sword in his drama school days , his ability to handle all the ...
... action is carried through to every detail of his use of costume and properties . Whether he inherited the trick from his actor - forebears or learned to swing cloak and sword in his drama school days , his ability to handle all the ...
Seite 55
... action from the violent and hopeless rage of the earlier speech . If it were not such a famous purple patch which ... action . The character and the value of the speech lie in the fact that it leads on to the next part of the scene ...
... action from the violent and hopeless rage of the earlier speech . If it were not such a famous purple patch which ... action . The character and the value of the speech lie in the fact that it leads on to the next part of the scene ...
Seite 58
... action to the word , the word to the action , ' and as such fire is hardly false it seems a paradoxical gesture , though no doubt theatrically telling . Irving , I believe , created the business of lying on the floor with the manuscript ...
... action to the word , the word to the action , ' and as such fire is hardly false it seems a paradoxical gesture , though no doubt theatrically telling . Irving , I believe , created the business of lying on the floor with the manuscript ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words