John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 24
... close of the nunnery scene , the climax of the rant at the grave of Ophelia . It is one of the many stops Gielgud can sound at will . These tonal and quantitive variations are so closely woven into the pattern of his playing that the ...
... close of the nunnery scene , the climax of the rant at the grave of Ophelia . It is one of the many stops Gielgud can sound at will . These tonal and quantitive variations are so closely woven into the pattern of his playing that the ...
Seite 35
... close , these beauties have not been apparent in performances I have seen . With one exception : the production , in German , in which Alexander Moissi played in London in 1929 , which was , I believe , an old one , originally ...
... close , these beauties have not been apparent in performances I have seen . With one exception : the production , in German , in which Alexander Moissi played in London in 1929 , which was , I believe , an old one , originally ...
Seite 65
... close to the footlights , but it would also be of enor- mous value to suggest space , open air , and nature in the back- ground after the madness and scurryings of the dark scenes in the palace . I did not see Chaney's Viking ship in ...
... close to the footlights , but it would also be of enor- mous value to suggest space , open air , and nature in the back- ground after the madness and scurryings of the dark scenes in the palace . I did not see Chaney's Viking ship in ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words