John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 38
... effect of concentrated development of the story , but I cannot help feeling that the for- mality of address used by Hamlet and the flowery tone , half re- buking , half avuncular , of Claudius ' speeches have greater point and effect ...
... effect of concentrated development of the story , but I cannot help feeling that the for- mality of address used by Hamlet and the flowery tone , half re- buking , half avuncular , of Claudius ' speeches have greater point and effect ...
Seite 55
... effect of despondency in To be , or not to be ' is a natural and brilliant psychological re- action from the violent and hopeless rage of the earlier speech . If it were not such a famous purple patch which everybody in the audience ...
... effect of despondency in To be , or not to be ' is a natural and brilliant psychological re- action from the violent and hopeless rage of the earlier speech . If it were not such a famous purple patch which everybody in the audience ...
Seite 60
... effect . I wonder , by the way , why the court of Claudius and Gertrude is always portrayed by actors representing young men and women . Gertrude must be nearly fifty , and in spite of the vanity of Queen Elizabeth , who certainly liked ...
... effect . I wonder , by the way , why the court of Claudius and Gertrude is always portrayed by actors representing young men and women . Gertrude must be nearly fifty , and in spite of the vanity of Queen Elizabeth , who certainly liked ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words