John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 19
... feels freshly his grief and bitter disgust , thinks through the torturing problems that beset him as though they had never been presented to him before . The movements of his thought and of his feeling are registered in expression ...
... feels freshly his grief and bitter disgust , thinks through the torturing problems that beset him as though they had never been presented to him before . The movements of his thought and of his feeling are registered in expression ...
Seite 33
... feeling of a war - like state , ' where ghosts and horror haunt the battlements by night ; where armies are marshalling for war , graves give up their dead and a barbaric Northern feeling of cold and grimness cuts across the luxurious ...
... feeling of a war - like state , ' where ghosts and horror haunt the battlements by night ; where armies are marshalling for war , graves give up their dead and a barbaric Northern feeling of cold and grimness cuts across the luxurious ...
Seite 163
... feeling , are accented by the gravity of his upturned face . Horatio is the one stable point in this shifting , treacherous vortex . Hamlet's hand is on his arm . His words describe not only what Horatio is , but what he himself is not ...
... feeling , are accented by the gravity of his upturned face . Horatio is the one stable point in this shifting , treacherous vortex . Hamlet's hand is on his arm . His words describe not only what Horatio is , but what he himself is not ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words