John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 32
... figure in this play and that's Hamlet ! ' So in Irving's produc- tion and many others before and since , we have the ... figure than she usually presents in theatrical usage . 6 Two other points in costuming : now that audiences are ...
... figure in this play and that's Hamlet ! ' So in Irving's produc- tion and many others before and since , we have the ... figure than she usually presents in theatrical usage . 6 Two other points in costuming : now that audiences are ...
Seite 37
... figure of the Prince . Beyond rises a brilliant pyramidal group of heads growing to a peak formed by the figures of the King and Queen , wearing huge cloaks , the folds of which seem to envelop the whole court . Actually at Moscow I ...
... figure of the Prince . Beyond rises a brilliant pyramidal group of heads growing to a peak formed by the figures of the King and Queen , wearing huge cloaks , the folds of which seem to envelop the whole court . Actually at Moscow I ...
Seite 71
... figures on the stage already , and Hamlet in Horatio's arms is always faintly reminiscent of ' Kiss me , Hardy ' at the death of Nelson . The standing figure holds the audience's attention just as they are on the verge of reaching for ...
... figures on the stage already , and Hamlet in Horatio's arms is always faintly reminiscent of ' Kiss me , Hardy ' at the death of Nelson . The standing figure holds the audience's attention just as they are on the verge of reaching for ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words