John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 20
... moves on the stage with swift strength . He is a master of his body , using it with a consummate technical precision ... move- ment in space is sometimes forgotten . Gielgud does not forget it . His Hamlet is three - dimensional as well ...
... moves on the stage with swift strength . He is a master of his body , using it with a consummate technical precision ... move- ment in space is sometimes forgotten . Gielgud does not forget it . His Hamlet is three - dimensional as well ...
Seite 99
... moves , the air seems to vibrate with his accelerated heartbeat . As Horatio speaks of the figure of the dead King walking by the sentries , Hamlet looks off , his imagination building the picture in the air . On The apparition comes ...
... moves , the air seems to vibrate with his accelerated heartbeat . As Horatio speaks of the figure of the dead King walking by the sentries , Hamlet looks off , his imagination building the picture in the air . On The apparition comes ...
Seite 175
... moves swiftly and stealthily to the draped doorway , right , swings back the hanging and finds — noth- ing . Before he again attempts his devotions he lays his sword on the chair near the doorway , then moves left for his tormented ...
... moves swiftly and stealthily to the draped doorway , right , swings back the hanging and finds — noth- ing . Before he again attempts his devotions he lays his sword on the chair near the doorway , then moves left for his tormented ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words