John Gielgud's Hamlet: A Record of PerformanceOxford University Press, 1937 - 234 Seiten |
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Seite 117
... stops himself In his effort at control he becomes brusque . He must have some veneer of protection against prying eyes . For the moment he merely denies , tries to escape until he can think again . Horatio's common - sense protest ...
... stops himself In his effort at control he becomes brusque . He must have some veneer of protection against prying eyes . For the moment he merely denies , tries to escape until he can think again . Horatio's common - sense protest ...
Seite 153
... stops and turns , facing Ophelia who has now reached the middle platform and stands a few steps above him . His ... stop him . ' I never gave you aught ' is spoken with biting emphasis . It is after all Ophelia who has disprized his love ...
... stops and turns , facing Ophelia who has now reached the middle platform and stands a few steps above him . His ... stop him . ' I never gave you aught ' is spoken with biting emphasis . It is after all Ophelia who has disprized his love ...
Seite 172
... stops . GUILDENSTERN . But these cannot I command to any utterance of harmony ; I have not the skill . HAMLET . Why , look you now , how unworthy a thing you make of me . You would play upon me ; you would seem to know my stops ; you ...
... stops . GUILDENSTERN . But these cannot I command to any utterance of harmony ; I have not the skill . HAMLET . Why , look you now , how unworthy a thing you make of me . You would play upon me ; you would seem to know my stops ; you ...
Inhalt
JOHN GIELGUDS HAMLET | 13 |
THE HAMLET TRADITION NOTES ON COSTUME Scenery | 29 |
HAMLET PRINCE OF DENMARK | 75 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor audience BERNARDO body breaks castle Claudius cloak comes costume council chamber curtain dead death Denmark doorway drops effect Ellen Terry Enter Exeunt Exit eyes face Farewell father follow Fortinbras Gertrude gesture Ghost give good-night Granville-Barker grave grief Harcourt Williams hast hath head hear heart heaven Hecuba hold Horatio Jephthah Jo Mielziner John Gielgud King and Queen King's Laertes left hand Leslie Howard lines look Malcolm Keen MARCELLUS middle landing mind mother movement moves murder never night Old Vic Ophelia OSRIC passion pause performance phrase play players Polonius pray prie-dieu Prince production rises Rosencrantz and Guildenstern scene SECOND GRAVEDIGGER seems Shakespeare sits sleep slowly soliloquy soul speak speech spoken stage stairs stands steps stops sweet swift swings sword tell theatre thee thing thou thought turns voice walks watch words