Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - 307 Seiten This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
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Seite 17
... come- dies do not usually end up in the marriage bed but somewhere nearby with business to dispatch , still the ending ... comes the start of a day's debriefing led by Portia . It takes Gra- tiano , in the role of buffoon , to raise the ...
... come- dies do not usually end up in the marriage bed but somewhere nearby with business to dispatch , still the ending ... comes the start of a day's debriefing led by Portia . It takes Gra- tiano , in the role of buffoon , to raise the ...
Seite 28
... comes out of hiding to embrace Jonathan and bid him farewell : And as soon as the lad was gone , David arose out of a place toward the south and fell on his face to the ground , and bowed himself three times ; and they kissed one ...
... comes out of hiding to embrace Jonathan and bid him farewell : And as soon as the lad was gone , David arose out of a place toward the south and fell on his face to the ground , and bowed himself three times ; and they kissed one ...
Seite 30
... comes into clear focus and weigh the implications of the intriguingly similar threesome who play out a plot of love , power , and debt in Sonnet 134 . When we listen to Bassanio telling Portia the bad news in the letter from Venice , we ...
... comes into clear focus and weigh the implications of the intriguingly similar threesome who play out a plot of love , power , and debt in Sonnet 134 . When we listen to Bassanio telling Portia the bad news in the letter from Venice , we ...
Seite 35
... comes once again between the young couple and the consummation of their mar- riage . On the surface , this is not his wish , though it has been the case since the arrival of his troubled letter in act 3. On the surface of it Antonio's ...
... comes once again between the young couple and the consummation of their mar- riage . On the surface , this is not his wish , though it has been the case since the arrival of his troubled letter in act 3. On the surface of it Antonio's ...
Seite 41
... comes to repeat almost every line , there is no parody , no repeti- tion of his repetition , no policing of his alternative system of meaning . At this point , not only does Shylock's passion for re- venge endanger Antonio , but his ...
... comes to repeat almost every line , there is no parody , no repeti- tion of his repetition , no policing of his alternative system of meaning . At this point , not only does Shylock's passion for re- venge endanger Antonio , but his ...
Inhalt
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
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Häufige Begriffe und Wortgruppen
Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
Beliebte Passagen
Seite 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Seite 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Seite 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Seite 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Seite 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Seite 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Seite 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Seite 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.