Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - 307 Seiten This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
Im Buch
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Seite 9
... language of wit in Shakespeare's plays . Harai Golomb is a Professor at Tel Aviv University's Faculty of Arts , and has published and taught in the fields of literature , theater , musicology , and comparative art studies . His fields ...
... language of wit in Shakespeare's plays . Harai Golomb is a Professor at Tel Aviv University's Faculty of Arts , and has published and taught in the fields of literature , theater , musicology , and comparative art studies . His fields ...
Seite 10
... Languages ( 1987 ) . She is a member of the Israel Academy and Professor Emerita of English and for- mer head of the Department of English at the Hebrew University of Jerusalem . Avraham Oz , born in Tel Aviv , was educated in Israel ...
... Languages ( 1987 ) . She is a member of the Israel Academy and Professor Emerita of English and for- mer head of the Department of English at the Hebrew University of Jerusalem . Avraham Oz , born in Tel Aviv , was educated in Israel ...
Seite 18
... languages of wealth and love have always been interdependent . The question , " How much do you love me ? " illustrates such contact in the most banal way . That is what An- tony seems to think when he counters Cleopatra's opening ques ...
... languages of wealth and love have always been interdependent . The question , " How much do you love me ? " illustrates such contact in the most banal way . That is what An- tony seems to think when he counters Cleopatra's opening ques ...
Seite 20
... language is caught up in the web of numbers , laboriously so , even dangerously when we remember that she is an heiress and the goal of Bassanio's voyage is her fortune , not half but the whole of it . Once love is thought of as a kind ...
... language is caught up in the web of numbers , laboriously so , even dangerously when we remember that she is an heiress and the goal of Bassanio's voyage is her fortune , not half but the whole of it . Once love is thought of as a kind ...
Seite 24
... languages of play and commerce meet at the key word " adventuring " which is what boys do for fun and merchants for profit , unless they make a loss . The wiliness of the tale becomes apparent when Bassanio interprets it in " pure ...
... languages of play and commerce meet at the key word " adventuring " which is what boys do for fun and merchants for profit , unless they make a loss . The wiliness of the tale becomes apparent when Bassanio interprets it in " pure ...
Inhalt
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
Beliebte Passagen
Seite 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Seite 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Seite 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Seite 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Seite 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Seite 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Seite 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Seite 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.