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land; that we no longer expire in loathsome dungeons without knowing the cause, or have our right hands struck off for raising them in self-defence against wanton insult; that we can sleep without fear of being burnt in our beds, or travel without making our wills; that no Amy Robsarts are thrown down trapdoors by Richard Varneys with impunity: that no Red Reiver of Westburn-Flat sets fire to peaceful cottages; that no Claverhouse signs cold-blooded death-warrants in sport; that we have no Tristan the Hermit, or PetitAndré, crawling near us, like spiders, and making our flesh creep, and our hearts sicken within us at every moment of our lives-ye who have produced this change in the face of nature and society, return to earth once more, and beg pardon of Sir Walter and his patrons, who sigh at not being able to undo all that you have done! Leaving this question, there are two other remarks which we wished to make on the Novels. The one was, to

express our admiration at the good-nature of the mottos, in which the author has taken occasion to remember and quote almost every living author (whether illustrious or obscure) but himself—an indirect argument in favour of the general opinions as to the source from which they spring-and the other was, to hint our astonishment at the innumerable and incessant instances of bad and slovenly

English in them, more, we believe, than in any other works now printed. We should think the writer could not possibly read the manuscript after he has once written it, or overlook the press.

If there were a writer, who, "born for the universe"

66

Narrow'd his mind,

And to party gave up what was meant for mankind—”

who, from the height of his genius looking abroad into nature, and scanning the recesses of the human heart, "winked and shut his apprehension up" to every thought or purpose that tended to the future good of mankindwho, raised by affluence, the reward of successful industry, and by the voice of fame above the want of any but the most honourable patronage, stooped to the unworthy arts of adulation, and abetted the views of the great with the pettifogging feelings of the meanest dependant on office-who, having secured the admiration of the public (with the probable reversion of immortality), showed no respect for himself, for that genius that had raised him to distinction, for that nature which he trampled under foot-who, amiable, frank, friendly, manly in private life, was seized with the dotage of age and the fury of a woman, the instant politics were concerned-who reserved all his candour and comprehensiveness

of view for history, and vented his littleness, pique, resentment, bigotry, and intolerance on his contemporaries-who took the wrong side, and defended it by unfair means-who, the moment his own interest or the prejudices of others interfered, seemed to forget all that was due to the pride of intellect, to the sense of manhood-who, praised, admired by men of all parties alike, repaid the public liberality by striking a secret and envenomed blow at the reputation of every one who was not the ready tool of power-who strewed the slime of rankling malice and mercenary scorn over the bud and promise of genius, because it was not fostered in the hot-bed of corruption, or warped by the trammels of servility-who supported the worst abuses of authority in the worst spirit-who joined a gang of desperadoes to spread calumny, contempt, infamy, wherever they were merited by honesty or talent on a different side who officiously undertook to decide public questions by private insinuations, to prop the throne by nicknames, and the altar by lies-who being (by common consent) the finest, the most humane and accomplished writer of his age, associated himself with and encouraged the lowest panders of a venal press; deluding, nauseating the public mind with the offal and garbage of Billingsgate abuse and vulgar slang; showing no remorse, no relenting or compassion

towards the victims of this nefarious and organized system of party-proscription, carried on under the mask of literary criticism and fair discussion, insulting the misfortunes of some, and trampling on the early grave of others

"Who would not grieve if such a man there be?

Who would not weep if Atticus were he ?"

But we believe there is no other age or country of the world (but ours), in which such genius could have been so degraded!

LORD BYRON.

LORD BYRON and Sir Walter Scott are among writers now living* the two, who would carry away a majority of suffrages as the greatest geniuses of the age. The former would, perhaps, obtain the preference with the fine gentlemen and ladies (squeamishness apart)the latter with the critics and the vulgar. We shall treat of them in the same connection, partly on account of their distinguished pre-eminence, and partly because they afford a complete contrast to each other. In their poetry, in their prose, in their politics, and in their tempers, no two men can be more unlike.

If Sir Walter Scott may be thought by some to have been

"Born universal heir to all humanity,"

it is plain Lord Byron can set up no such

* This essay was written, just before Lord Byron's death.

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