The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Ergebnisse 1-5 von 39
Seite 7
... Speeches , except the laft three , are far too unimportant for her heart - rending fitua tion . Richard , now difcovered as King , works up- on Buckingham , by diftant infinuation , to effect his main purpose , that of deftroying the ...
... Speeches , except the laft three , are far too unimportant for her heart - rending fitua tion . Richard , now difcovered as King , works up- on Buckingham , by diftant infinuation , to effect his main purpose , that of deftroying the ...
Seite 21
... speeches which the Player repeats , it appears plainly that they , and the scene in the third act are not only intended as prepa- ratory means to convict the King of guilt , but are alfo meant to realize the characters of the main ...
... speeches which the Player repeats , it appears plainly that they , and the scene in the third act are not only intended as prepa- ratory means to convict the King of guilt , but are alfo meant to realize the characters of the main ...
Seite 33
... speech and feelings , all give us the most pleaf- ing , I had almoft faid , aftonishing fenfibility ; in all the pointed parts of the dialogue his matchless eyes , anticipate his tongue , and imprefs the meaning up- on us with double ...
... speech and feelings , all give us the most pleaf- ing , I had almoft faid , aftonishing fenfibility ; in all the pointed parts of the dialogue his matchless eyes , anticipate his tongue , and imprefs the meaning up- on us with double ...
Seite 68
... speech , " utters a fentiment which we may pronounce the effence of infamy , Flanders lace " is as constant a prefent from officers to their women , as fomething elfe is from their women " to them ; " and the latter replies in a very ...
... speech , " utters a fentiment which we may pronounce the effence of infamy , Flanders lace " is as constant a prefent from officers to their women , as fomething elfe is from their women " to them ; " and the latter replies in a very ...
Seite 81
... speech of countenance and action ; therefore makes Banquo , whofe open , difinterefted heart takes no alarm , fill up a well - adapted paufe of the principal character , by questioning the fifters concerning himself ; their replies to ...
... speech of countenance and action ; therefore makes Banquo , whofe open , difinterefted heart takes no alarm , fill up a well - adapted paufe of the principal character , by questioning the fifters concerning himself ; their replies to ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia