The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 88
... more worthy of him- felf and of his fubject , is what Lorenzo calls them in the Merchant of Venice , pattens of bright gold ? 3 In In Macbeth's foliloquy , where a vifionary dagger ftrikes his 88 The DRAMATIC CENSOR ...
... more worthy of him- felf and of his fubject , is what Lorenzo calls them in the Merchant of Venice , pattens of bright gold ? 3 In In Macbeth's foliloquy , where a vifionary dagger ftrikes his 88 The DRAMATIC CENSOR ...
Seite 134
... Venice ; we have de- clared ourselves fo unclaffical as not to be the friends of ftrict limitation , but cannot countenance the introduction of a fea - voyage , where there is no occafion for it ; Othello might have appeared as much in ...
... Venice ; we have de- clared ourselves fo unclaffical as not to be the friends of ftrict limitation , but cannot countenance the introduction of a fea - voyage , where there is no occafion for it ; Othello might have appeared as much in ...
Seite 148
... Venice Preferved , to fpare neither fex nor age , and rejoiced , as Mr. Cumberland has it in his inimitable prologue of all prologues to the Bro- thers , to appear From fhoulder to the flank all drench'd in gore . " Not- Othello ...
... Venice Preferved , to fpare neither fex nor age , and rejoiced , as Mr. Cumberland has it in his inimitable prologue of all prologues to the Bro- thers , to appear From fhoulder to the flank all drench'd in gore . " Not- Othello ...
Seite 149
... Venice with almoft his laft words , that he finished his life in the fame manner , which he had once used to vindicate the public honour of his masters ; Iago is most properly denoted , to ut- ter contempt as well as abhorrence , and ...
... Venice with almoft his laft words , that he finished his life in the fame manner , which he had once used to vindicate the public honour of his masters ; Iago is most properly denoted , to ut- ter contempt as well as abhorrence , and ...
Seite 277
... fidered in the several lights , of character , sentiment , regularity , plot , fpirit , and pathos .華榮( * ) ** ( * )淡淡 The The MERCHANT of VENICE . Written by SHAKESPEARE . WE Fair Penitent The DRAMATIC . CENSOR . 277 (*)** ...
... fidered in the several lights , of character , sentiment , regularity , plot , fpirit , and pathos .華榮( * ) ** ( * )淡淡 The The MERCHANT of VENICE . Written by SHAKESPEARE . WE Fair Penitent The DRAMATIC . CENSOR . 277 (*)** ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia