The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Ergebnisse 1-5 von 87
Seite 19
... audience : however , tho ' this fcene altoge- ther has the merit of pleasing propriety , I can by no means , unless Hamlet bere affumes his frenzy , commend the light expreffions to his father's fhade -Truepenny - working in the ...
... audience : however , tho ' this fcene altoge- ther has the merit of pleasing propriety , I can by no means , unless Hamlet bere affumes his frenzy , commend the light expreffions to his father's fhade -Truepenny - working in the ...
Seite 21
... audience fhould think truth . There is no fentiment in the whole character of Hamlet , nor indeed any other more worthy a good heart and great mind , than his reply to Polonius ; who fays , he will ufe the Players as they deferve ...
... audience fhould think truth . There is no fentiment in the whole character of Hamlet , nor indeed any other more worthy a good heart and great mind , than his reply to Polonius ; who fays , he will ufe the Players as they deferve ...
Seite 25
... audience to feel in ; the circumftances and expref- fion are fo highly deferving of each other ; that the performance must be languid indeed , and feelings totally benumbed , if both eyes and hearts are not much interested . VOL . I. E ...
... audience to feel in ; the circumftances and expref- fion are fo highly deferving of each other ; that the performance must be languid indeed , and feelings totally benumbed , if both eyes and hearts are not much interested . VOL . I. E ...
Seite 30
... audience with a Danish beau , he took the conftituent parts from English court - butterflies of his days , and even furnishes him with the equivocal punning ftile , which took its rife and fafhion from that fecond Solomon , James the ...
... audience with a Danish beau , he took the conftituent parts from English court - butterflies of his days , and even furnishes him with the equivocal punning ftile , which took its rife and fafhion from that fecond Solomon , James the ...
Seite 41
... effect of their fituation and scheme then merely a defigned infor- mation to the audience ; and Boniface comes in VOL . I. happily G happily to prevent its being tedious ; the conversation concerning The DRAMATIC CENSOR . 41.
... effect of their fituation and scheme then merely a defigned infor- mation to the audience ; and Boniface comes in VOL . I. happily G happily to prevent its being tedious ; the conversation concerning The DRAMATIC CENSOR . 41.
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia