The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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... characters are placed in too fair a point of view ; to develope vice from this poetical masquerade ; to ftrip off the ... character worth no- tice ; and to give a concife general idea of the plays taken into confideration , the fcope of ...
... characters are placed in too fair a point of view ; to develope vice from this poetical masquerade ; to ftrip off the ... character worth no- tice ; and to give a concife general idea of the plays taken into confideration , the fcope of ...
Seite 5
... character have given fo happy a de- lineation of him as he does of himself . • The first act concludes properly with putting a period to Henry's life , which indeed could not have been preserved any longer with fuitable im- portance ...
... character have given fo happy a de- lineation of him as he does of himself . • The first act concludes properly with putting a period to Henry's life , which indeed could not have been preserved any longer with fuitable im- portance ...
Seite 9
... character is very happily exhibited ; the catastrophe is wrought up to a most pleasing event in his death ; a circum ... characters of this piece are many in num ber The DRAMATIC CENSOR . 9.
... character is very happily exhibited ; the catastrophe is wrought up to a most pleasing event in his death ; a circum ... characters of this piece are many in num ber The DRAMATIC CENSOR . 9.
Seite 12
... character . as fupporting every scene throughout the whole with very capital merit ; it would be ungenerous not to acknow- ledge , that Mr. Mossop difplays great powers , Mr. SHERIDAN much judgment , and Mr. SMITH CON- fiderable fpirit ...
... character . as fupporting every scene throughout the whole with very capital merit ; it would be ungenerous not to acknow- ledge , that Mr. Mossop difplays great powers , Mr. SHERIDAN much judgment , and Mr. SMITH CON- fiderable fpirit ...
Seite 13
... character of much refpect and attention ; Mrs. PRITCHARD did more for it in action , than the Author in writing ; it is now given to fecond and third rates , for what reafon is hard to fay , as there never was , nor per- haps ever will ...
... character of much refpect and attention ; Mrs. PRITCHARD did more for it in action , than the Author in writing ; it is now given to fecond and third rates , for what reafon is hard to fay , as there never was , nor per- haps ever will ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia