The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 8
... comes on with his followers quite prepared : had he mentioned the premium and the King's favour to lull their fcruples , the business would have been conducted more confiftently . The King's foliloquy is mafterly ; anxious hope and ...
... comes on with his followers quite prepared : had he mentioned the premium and the King's favour to lull their fcruples , the business would have been conducted more confiftently . The King's foliloquy is mafterly ; anxious hope and ...
Seite 41
... the effect of their fituation and scheme then merely a defigned infor- mation to the audience ; and Boniface comes in VOL . I. happily G happily to prevent its being tedious ; the conversation concerning The DRAMATIC CENSOR . 41.
... the effect of their fituation and scheme then merely a defigned infor- mation to the audience ; and Boniface comes in VOL . I. happily G happily to prevent its being tedious ; the conversation concerning The DRAMATIC CENSOR . 41.
Seite 49
... comes to action nor expla- nation ; the author is not to blame , for by means of the Frenchman , Mrs. Sullen means to awaken her husband's jealoufy ; but that character being totally omitted , that matter remains in the dark , unless ...
... comes to action nor expla- nation ; the author is not to blame , for by means of the Frenchman , Mrs. Sullen means to awaken her husband's jealoufy ; but that character being totally omitted , that matter remains in the dark , unless ...
Seite 69
... comes in conveniently to take off his condefcending miftrefs , who kindly flies to him when apprehenfive of dan- ger , and without any other retreat for safety 2 Sylvia appears at this point of time metamorpho- fed into the appearance ...
... comes in conveniently to take off his condefcending miftrefs , who kindly flies to him when apprehenfive of dan- ger , and without any other retreat for safety 2 Sylvia appears at this point of time metamorpho- fed into the appearance ...
Seite 70
... comes with equal force from every quarter , and without an affront , no one of real courage will draw his fword . Rofe's communication of her intereft with Plume to Sylvia in the first scene in the fourth act , is well introduced to ...
... comes with equal force from every quarter , and without an affront , no one of real courage will draw his fword . Rofe's communication of her intereft with Plume to Sylvia in the first scene in the fourth act , is well introduced to ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia