The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Or, Critical Companion ... Francis Gentleman. Ipaas Taylor del & scuip . Bo the odesty r step not the modesty of Nature . Ham . THE DRAMATIC CENSOR ; OR , CRITICAL COMPANION . Si.
Or, Critical Companion ... Francis Gentleman. Ipaas Taylor del & scuip . Bo the odesty r step not the modesty of Nature . Ham . THE DRAMATIC CENSOR ; OR , CRITICAL COMPANION . Si.
Seite 2
Or, Critical Companion ... Francis Gentleman. the true relish and folid improvement derivable from them is loft , and often changes the theatre from what it literally may be , a profitable school of moral inftruction , to the fphere of ...
Or, Critical Companion ... Francis Gentleman. the true relish and folid improvement derivable from them is loft , and often changes the theatre from what it literally may be , a profitable school of moral inftruction , to the fphere of ...
Seite 5
Or, Critical Companion ... Francis Gentleman. we must venture to contend for their propriety ; fince nothing is commoner than for people in private life , warmly poffeffed of any fubject , to talk as if in converfation , tho ' alone : in ...
Or, Critical Companion ... Francis Gentleman. we must venture to contend for their propriety ; fince nothing is commoner than for people in private life , warmly poffeffed of any fubject , to talk as if in converfation , tho ' alone : in ...
Seite 6
Or, Critical Companion ... Francis Gentleman. chard alfo unveils part of his defign relative to prince Edward , whofe approach and destination to the tower he announces . The young King and his brother , the duke of York , make a most ...
Or, Critical Companion ... Francis Gentleman. chard alfo unveils part of his defign relative to prince Edward , whofe approach and destination to the tower he announces . The young King and his brother , the duke of York , make a most ...
Seite 8
Or, Critical Companion ... Francis Gentleman. The scene between Tirrel , Dighton and Foreft , fhould for two reafons have been made longer ; first to have raised our pity more , even by the immediate murderers ; next , to have given ...
Or, Critical Companion ... Francis Gentleman. The scene between Tirrel , Dighton and Foreft , fhould for two reafons have been made longer ; first to have raised our pity more , even by the immediate murderers ; next , to have given ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia