The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 34
... expressed in eyes , features , attitude and voice , that every heart muft feel ; the fecond is in the third act , where the Queen fays , the Ghost is but the coinage of his brain ; his turn- ing fhort from looking after the apparition ...
... expressed in eyes , features , attitude and voice , that every heart muft feel ; the fecond is in the third act , where the Queen fays , the Ghost is but the coinage of his brain ; his turn- ing fhort from looking after the apparition ...
Seite 103
... expressed in very apt . terms . Why the author chose to execute fo great a culprit behind the scenes , thereby depriving the audience of a moft fatisfactory circumftance is not eafy to imagine ; death certainly is made , in this ...
... expressed in very apt . terms . Why the author chose to execute fo great a culprit behind the scenes , thereby depriving the audience of a moft fatisfactory circumftance is not eafy to imagine ; death certainly is made , in this ...
Seite 166
... expressed . The next scene , though fhort , contains confider- able humour ; the oddity of Woodcock and his fifter is extremely well preferved , and well play'd upon by the lovers ; the dialogue runs judicioufly into a pit pat ftrain ...
... expressed . The next scene , though fhort , contains confider- able humour ; the oddity of Woodcock and his fifter is extremely well preferved , and well play'd upon by the lovers ; the dialogue runs judicioufly into a pit pat ftrain ...
Seite 320
... expressed ; and Jaffer himself , except where he too talks of fetting the city in flames , fhews a confiderable share of spirit — his of- fering Belvidera as a pledge of his faith is as ftrange and uncouth a circumftance as ever we met ...
... expressed ; and Jaffer himself , except where he too talks of fetting the city in flames , fhews a confiderable share of spirit — his of- fering Belvidera as a pledge of his faith is as ftrange and uncouth a circumftance as ever we met ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia