The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Or, Critical Companion ... Francis Gentleman. Ipaas Taylor del & scuip . Bo the odesty r step not the modesty of Nature . Ham . THE DRAMATIC CENSOR ; OR , CRITICAL COMPANION . Si.
Or, Critical Companion ... Francis Gentleman. Ipaas Taylor del & scuip . Bo the odesty r step not the modesty of Nature . Ham . THE DRAMATIC CENSOR ; OR , CRITICAL COMPANION . Si.
Seite 1
... nature too nice and complicate , for all admirers of the stage to confider with that attention which is necessary to understand them properly ; hence much of VOL . I. B the the true relish and folid improvement derivable from them is THE ..
... nature too nice and complicate , for all admirers of the stage to confider with that attention which is necessary to understand them properly ; hence much of VOL . I. B the the true relish and folid improvement derivable from them is THE ..
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... would occafion prolixity ; appeal only to the judments of learned readers , and therefore be totally incompatible with our defign ; which is merely to try each drama as a a picture of nature at the bar of nature ; The DRAMATIC CENSOR .
... would occafion prolixity ; appeal only to the judments of learned readers , and therefore be totally incompatible with our defign ; which is merely to try each drama as a a picture of nature at the bar of nature ; The DRAMATIC CENSOR .
Seite 3
Or, Critical Companion ... Francis Gentleman. a picture of nature at the bar of nature ; and the manners of thofe nations where the fcene of each is laid . Well knowing how infipid prefatory matter generally is , thus much only is ...
Or, Critical Companion ... Francis Gentleman. a picture of nature at the bar of nature ; and the manners of thofe nations where the fcene of each is laid . Well knowing how infipid prefatory matter generally is , thus much only is ...
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... nature , to make a character deeply diftreffed or torn with paffion vent poetical fimilitudes ; for which reafon alfo we muft condemn thofe lines , in the laft fpeech of the fourth act , tho ' the thought is really fine , that Ipeak of ...
... nature , to make a character deeply diftreffed or torn with paffion vent poetical fimilitudes ; for which reafon alfo we muft condemn thofe lines , in the laft fpeech of the fourth act , tho ' the thought is really fine , that Ipeak of ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia