The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 3
... the late Colley Cibber , whofe thorough acquaintance with the Stage , well qualified him for regulat arranging of scenes , which is ing a plot , and B 2 indeed 4 The DRAMATIC CENSOR . indeed no more than a The DRAMATIC CENSOR .
... the late Colley Cibber , whofe thorough acquaintance with the Stage , well qualified him for regulat arranging of scenes , which is ing a plot , and B 2 indeed 4 The DRAMATIC CENSOR . indeed no more than a The DRAMATIC CENSOR .
Seite 9
... plot and arrangement of fcenes ; it becomes ne- ceffary to enquire for the moral , without which no dramatic piece can have intrinfic worth ; in hifto- rical plays we cannot expect much focial inftruction , as they chiefly appeal to ...
... plot and arrangement of fcenes ; it becomes ne- ceffary to enquire for the moral , without which no dramatic piece can have intrinfic worth ; in hifto- rical plays we cannot expect much focial inftruction , as they chiefly appeal to ...
Seite 20
... the players , who , though feem- ingly intruders are material agents for the plot , is excellently contrived by the author ; fince Hamlet , 2 as as we may justly fuppofe from his proceedings , im- 20 The DRAMATIC CENSOR .
... the players , who , though feem- ingly intruders are material agents for the plot , is excellently contrived by the author ; fince Hamlet , 2 as as we may justly fuppofe from his proceedings , im- 20 The DRAMATIC CENSOR .
Seite 25
... plot . The Ghost's , appearance gives great force to , and raises a very beautiful climax of paffion in this scene ; and it is impoffible to form an idea of any thing better calculated for actors to ftrike , or an audience to feel in ...
... plot . The Ghost's , appearance gives great force to , and raises a very beautiful climax of paffion in this scene ; and it is impoffible to form an idea of any thing better calculated for actors to ftrike , or an audience to feel in ...
Seite 47
... ; opening part of the plot seemingly without any defign of the author ; the tranfition to Scrub's various employments very properly puts a ftop ftop to the converfation and the ladies appear fit feafon The DRAMATIC CENSOR . 47.
... ; opening part of the plot seemingly without any defign of the author ; the tranfition to Scrub's various employments very properly puts a ftop ftop to the converfation and the ladies appear fit feafon The DRAMATIC CENSOR . 47.
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia