The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 16
... respect . The scene which introduces Horatio , & c . to communicate the circumftance of the preceding night fucceeds naturally ; and the broken mode of converfation , in lines and half - lines , is fo art- fully contrived , is executed ...
... respect . The scene which introduces Horatio , & c . to communicate the circumftance of the preceding night fucceeds naturally ; and the broken mode of converfation , in lines and half - lines , is fo art- fully contrived , is executed ...
Seite 31
... respects to his royal patron ; these , I confefs , are minutiæ , yet claim notice in the ftrictness of criticism . Hamlet's affumed madnefs might undoubtedly have been made the inftrument of fome important fecret purpose relative to his ...
... respects to his royal patron ; these , I confefs , are minutiæ , yet claim notice in the ftrictness of criticism . Hamlet's affumed madnefs might undoubtedly have been made the inftrument of fome important fecret purpose relative to his ...
Seite 41
... respecting its age , its killing his wife , with the help of ufque- baugh , his refignation upon that circumftance , his tranfition to the characters of lady Bountiful , the other ladies , and Mrs. Sullen , is a well - expreffed chain ...
... respecting its age , its killing his wife , with the help of ufque- baugh , his refignation upon that circumftance , his tranfition to the characters of lady Bountiful , the other ladies , and Mrs. Sullen , is a well - expreffed chain ...
Seite 51
... respecting the bed - chamber , is as extraordinary a coup - de - main of gallantry as can be met with ; confidering the circumstances of fuch different rank , fo flight an acquaintance , time of the day , and company at hand ; if the ...
... respecting the bed - chamber , is as extraordinary a coup - de - main of gallantry as can be met with ; confidering the circumstances of fuch different rank , fo flight an acquaintance , time of the day , and company at hand ; if the ...
Seite 55
... respect to the ten thousand pounds Aimwell refigns in his fa- vour , then by putting the fquire's bank notes and writ- ings into Sir Charles's hands ; these bank notes , & c . we find , were taken by Mr. Gibbet ; how Archer came by them ...
... respect to the ten thousand pounds Aimwell refigns in his fa- vour , then by putting the fquire's bank notes and writ- ings into Sir Charles's hands ; these bank notes , & c . we find , were taken by Mr. Gibbet ; how Archer came by them ...
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia