The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 4
... those lugged in headlong merely for fake of expla- nation . Notwithstanding fome good critics have con- demned foliloquies in general as unnatural ; yet we we must venture to contend for their propriety ; fince 4 The DRAMATIC CENSOR. ...
... those lugged in headlong merely for fake of expla- nation . Notwithstanding fome good critics have con- demned foliloquies in general as unnatural ; yet we we must venture to contend for their propriety ; fince 4 The DRAMATIC CENSOR. ...
Seite 5
... those obfequies being partly fhewn , keep the unfortunate monarch in our remem- brance till more bustling events fuperfede him ; Lady Ann's introduction is affecting , but her yielding to him whofe hands are still red with the blood of ...
... those obfequies being partly fhewn , keep the unfortunate monarch in our remem- brance till more bustling events fuperfede him ; Lady Ann's introduction is affecting , but her yielding to him whofe hands are still red with the blood of ...
Seite 9
... those imaginary existences ; which we find in Shakespear's Richard ; because in repre- sentation one would have flattened the other , and both must have confequently palled : after many martial excurfions , in which the leading ...
... those imaginary existences ; which we find in Shakespear's Richard ; because in repre- sentation one would have flattened the other , and both must have confequently palled : after many martial excurfions , in which the leading ...
Seite 15
... those who laugh at the idea of ghofts , as old womens ' tales , cannot avoid lending an eye and ear of ferious . at- tention to this of Hamlet's father . " * Introducing him previously to fome of the in- ferior characters , brings him ...
... those who laugh at the idea of ghofts , as old womens ' tales , cannot avoid lending an eye and ear of ferious . at- tention to this of Hamlet's father . " * Introducing him previously to fome of the in- ferior characters , brings him ...
Seite 18
... a- bout an existence merely fpiritual ; an abrupt de- parture , and those beautiful lines with which the Ghost difappears , are a very happy conclufion to the the scene , which spun out to a greater length 18 The DRAMATIC CENSOR .
... a- bout an existence merely fpiritual ; an abrupt de- parture , and those beautiful lines with which the Ghost difappears , are a very happy conclufion to the the scene , which spun out to a greater length 18 The DRAMATIC CENSOR .
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againſt agreeable alfo alſo appears arifes audience Beggar's Opera Cato cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire effential expreffed expreffion Fair Penitent fatire favour fays fcene feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftage ftands ftate ftile ftrange ftriking fuch fuitable fuppofe fupported furniſhes gives happily Harpagus herſelf himſelf humour huſband inftruction interefting Jaffier juft juftice Juliet King King Lear lady laft Lear lefs Linco Macbeth Mandane mention Merchant of Venice merit moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſing pleaſure poffeffed praiſe prefent Preferved purpoſe racter raiſe reafon refolution refpect repreſentation Rhadamiftus Rofalind Romeo Romeo and Juliet ſays ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice whofe wiſh Zenobia